A delightful detective who more than earns and deserves her own series.
In Regan’s (Hold Still, 2014, etc.) thriller, Philadelphia private investigator Jocelyn Rush takes the reins of a cold case from a terminal ex–homicide detective who needs help finding the killer before he dies.
The unsolved murder of teenager Sydney Adams has left former detective Augustus Knox’s life in ruins. Fourteen years later, his wife and job are gone, his daughter hates him, and his alcoholism has ravaged so much of his body that he has mere months to live. He seeks help from Jocelyn, a retired cop now with her own investigation firm. Knox is sure the murderer’s Cash Rigo, Sydney’s married high school coach, who’d likely had an affair with the girl, a dalliance seemingly confirmed by recently discovered photos. Sydney’s murder looks like a random shooting to Jocelyn, but Rigo definitely doesn’t appear innocent, especially with his rickety alibi. Jocelyn teams up with homicide cop Trent Razmus and brings the case in from the cold with news reports declaring new evidence (though it’s not necessarily true) and a fundraiser in Sydney’s honor. Jocelyn eventually links Rigo to a suspicious death and sees signs that he’s abusing his pregnant wife, Francine. But she may underestimate certain people’s desires to keep the truth hidden, which could put Jocelyn’s own life in danger. The protagonist is just as unyielding as she was in Regan’s previous novel: she’s not one to readily offer forgiveness, but her resolve is commendable. There’s little mystery to the story, as Jocelyn has few suspects and spends more time trying to extract a confession from Rigo than investigating the case. But Jocelyn’s life brims with hurdles. The tortured Knox, for one, is perpetually drunk, while Jocelyn fears that sister Camille, a former addict, may want to take away her 4-year-old daughter, Olivia, whom Jocelyn’s raised as her own. Jocelyn’s as tough as they come, but couple that with her motherly instincts, and it’s categorically endearing: “Why can’t I make cupcakes that look like Minions or a goddamn Disney Princess?” the typically foulmouthed private eye grumbles. Even if readers are a step or two ahead of Jocelyn in the investigation, her charisma is unmitigated and unending.
A delightful detective who more than earns and deserves her own series.Pub Date: Dec. 4, 2015
ISBN: 978-0-9967159-2-8
Page Count: 310
Publisher: Prodorutti Books
Review Posted Online: Jan. 11, 2016
Kirkus Reviews Issue: Feb. 15, 2016
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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