Scottoline, who shifts gears at every curve with the cool efficiency of a NASCAR driver, expertly fuels her target...
The creator of Philadelphia lawyer Bennie Rosato (Think Twice, 2010, etc.) pens another white-hot crossover novel about the perils of mother love.
One minute catalog model–turned–lunchroom mom Rose McKenna is keeping third-grade bully Amanda Gigot from leaving the Reesburgh Elementary cafeteria while she tells Amanda that she shouldn’t make fun of Rose’s daughter, Melinda Cadiz, because of the port wine birthmark on her cheek; the next, she’s agonizing over which child to save first from an explosion that’s ripped through the school cafeteria. Rose’s reflexes make what she ends up deciding were the best decisions at the time: She led Amanda and her friends to the door to safety, then went back to look for Melly, who’d hidden in a rest room. But Eileen Gigot and her many friends in the school don’t agree. They accuse Rose of detaining Amanda, now lying in a hospital in a coma, then leaving her in the care of another 8-year-old so that she could rescue her own daughter, who’s making a full recovery. Rose is stung by shock, then guilt, and finally outrage when she realizes that Eileen may file both civil and criminal actions against her. Worse, she learns that her one ally in Reesburgh Elementary, gifted teacher Kristen Canton, is leaving. Worse still, the hardball litigator her understanding husband, attorney Leo Ingrassia, has dug up for her, is anticipating possible prosecution by taking an aggressive stand on his client’s behalf, positioning Rose as exactly the sort of bully she’s been trying to protect her daughter from. So when Kurt Rehgard, a carpenter who’d hinted that the explosion was an extremely suspicious accident, is killed together with the contractor friend he’d confided in, Rose parks Melly with some sympathetic neighbors for a few days and takes it upon herself to discover exactly what happened and why.
Scottoline, who shifts gears at every curve with the cool efficiency of a NASCAR driver, expertly fuels her target audience’s dearest fantasy: “Every mom is an action hero.”Pub Date: April 1, 2011
ISBN: 978-0-312-38078-6
Page Count: 384
Publisher: St. Martin's
Review Posted Online: Dec. 30, 2010
Kirkus Reviews Issue: Jan. 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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