As full of sensuality, amorality, and drama as its riveting narrator.
An alluring, sophisticated, sexually voracious, and emotionally ruined woman moves to California to track down a connection to her tragic past.
After finding critical and popular nonfiction success with Three Women (2019), Taddeo makes her fiction debut with a propulsive, erotic, emotional thriller focusing on a 37-year-old woman. Joan is fleeing New York after having watched her married lover shoot himself while she was out to dinner with his replacement, but this horrific experience is the tip of a very large iceberg with layers of trauma that began when she lost both parents at age 10. As Joan puts it, "If someone asked me to describe myself in a single word, depraved is the one I would use." She rents a little house in Topanga Canyon on a large piece of property that is also home to a well-known rapper, a hot guy in a yurt, and a wealthy older man who has recently lost his wife. Once unpacked, she almost immediately runs into the person she went there looking for—a young woman named Alice, who she believes can help her understand what happened to her parents. Taddeo balances the sex, violence, and melodrama of her plot with insightful character development. Joan is almost impossible to look away from on every page. "When I saw boys in the streets with their low-slung backpacks, I thought of the girls they liked, the girls who got to be eleven and twelve and thirteen, with unicorn stickers and slap bracelets. I did not get to be any of those ages. I was ten and then I was thirty, and then I was thirty-seven." Or this: "I knew the precise color I wanted my coffee and how to have an orgasm in under thirty seconds. I needed everybody in the world—including waiters—less than they needed me." If the story goes off the rails in the final chapters, the burning questions driving it are satisfyingly answered. As full of sensuality, amorality, and drama as its riveting narrator.Pub Date: June 8, 2021
ISBN: 978-1-982122-12-6
Page Count: 336
Publisher: Avid Reader Press
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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