Young wrestlers will find all the action and moves they are seeking within these pages, and the dinosaurs and rhymes are an...
Wheeler, that rhyming dino-sports enthusiast, is back, this time with a survey of wrestling styles.
Leaving no mat unexplored, this encompasses everything from folkstyle wrestling to Greco-Roman and sumo and everything in between. Combining spot-on rhythms and rhymes with a narrative style that is akin to a sports announcer, the verses fly by as the dinosaurs gather to watch and participate in the Dino-Wrestling Jamboree. Each style of wrestling gets its own match, with the text often telling a bit about the style, its rules and/or its equipment. During the lucha libre event, the verse even includes a few Spanish vocabulary words, though, as with other wrestling terms, they are not defined in context: “The crowd goes loco—shouts and boos. / Ouch! That hit will leave a bruise.” Every detail is in Gott’s brightly colored cartoon illustrations—from the different uniforms the participants wear down to the little guy who holds the sign up with the dinosaurs’ species (handy, since Wheeler often shortens them) and wrestling style. They teem with action and testosterone. The text ends on a disturbing note, however—the WWD pro tag-team event turns into a riot, with the participants and fans brawling enough to bring down the tents.
Young wrestlers will find all the action and moves they are seeking within these pages, and the dinosaurs and rhymes are an added, entertaining bonus. (Picture book. 5-9)Pub Date: Oct. 1, 2013
ISBN: 978-1-4677-0212-6
Page Count: 32
Publisher: Carolrhoda
Review Posted Online: Aug. 27, 2013
Kirkus Reviews Issue: Sept. 15, 2013
A welcome, well-researched reflection of cultural pride in the early-reader landscape.
The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.
Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.
A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)Pub Date: Sept. 17, 2019
ISBN: 978-0-89239-429-6
Page Count: 64
Publisher: Children's Book Press
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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