Young wrestlers will find all the action and moves they are seeking within these pages, and the dinosaurs and rhymes are an...
Wheeler, that rhyming dino-sports enthusiast, is back, this time with a survey of wrestling styles.
Leaving no mat unexplored, this encompasses everything from folkstyle wrestling to Greco-Roman and sumo and everything in between. Combining spot-on rhythms and rhymes with a narrative style that is akin to a sports announcer, the verses fly by as the dinosaurs gather to watch and participate in the Dino-Wrestling Jamboree. Each style of wrestling gets its own match, with the text often telling a bit about the style, its rules and/or its equipment. During the lucha libre event, the verse even includes a few Spanish vocabulary words, though, as with other wrestling terms, they are not defined in context: “The crowd goes loco—shouts and boos. / Ouch! That hit will leave a bruise.” Every detail is in Gott’s brightly colored cartoon illustrations—from the different uniforms the participants wear down to the little guy who holds the sign up with the dinosaurs’ species (handy, since Wheeler often shortens them) and wrestling style. They teem with action and testosterone. The text ends on a disturbing note, however—the WWD pro tag-team event turns into a riot, with the participants and fans brawling enough to bring down the tents.
Young wrestlers will find all the action and moves they are seeking within these pages, and the dinosaurs and rhymes are an added, entertaining bonus. (Picture book. 5-9)Pub Date: Oct. 1, 2013
ISBN: 978-1-4677-0212-6
Page Count: 32
Publisher: Carolrhoda
Review Posted Online: Aug. 27, 2013
Kirkus Reviews Issue: Sept. 15, 2013
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A welcome, well-researched reflection of cultural pride in the early-reader landscape.
The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.
Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.
A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)Pub Date: Sept. 17, 2019
ISBN: 978-0-89239-429-6
Page Count: 64
Publisher: Children's Book Press
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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