For the world that knew Liu Xiaobo only for his empty chair in Oslo, this much-needed book fills the void.
The recipient of the 2010 Nobel Peace Prize confronts the problems of closed-society China.
During the Nobel ceremony in December 2010, an empty chair was placed in Oslo City Hall to honor Chinese dissident Liu Xiaobo, whose outspokenness not only earned him the prize but a prison term as well. The award catapulted him to international stardom, shining a penetrating light on his own imprisonment much as he had often shined light on the troubles of his country. These essays provide an up-to-date account of the country's current political and cultural climate, touching on a wide array of issues from the plight of the Chinese farmer to the eroding spirituality of Chinese youth. The essays are tempered by poems, many of which are interwoven throughout the book to provide a much-needed calming effect. Yet Liu Xiaobo's widespread appeal comes not from his poetry, but in his ability to move beyond platitudes and deal in personal stories—e.g., the tale of a local police department's gross mishandling of the rape and murder of a 15-year-old girl and the protests that developed soon after. Equally powerful is the author’s assault on China’s closed society, noting that while prostitution is technically illegal in China, thanks to sexual suppression, China is now "number one in the world.” Most revealing, however, is Liu Xiaobo's understanding of the risks of speaking out. As if predicting his own future, in his 2008 essay "Imprisoning People for Words and the Power of Public Opinion," he writes, "China has a rich tradition of persecuting people for their words.” Within two years he would come to learn this firsthand; as a result, others would begin to listen.
For the world that knew Liu Xiaobo only for his empty chair in Oslo, this much-needed book fills the void.Pub Date: Jan. 2, 2012
ISBN: 978-0-674-06147-7
Page Count: 392
Publisher: Belknap/Harvard Univ.
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Oct. 1, 2011
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
