A fun and heartfelt riff on an endearing ’80s comedy plot.
A series of mishaps unite two unlikely travel companions in this contemporary romance.
Cassidy Bliss is desperate to catch a flight from North Carolina to Los Angeles so she can help her sister, Isabelle, have the wedding of her dreams. The flight schedule is tight, and if Cassidy misses the plane, she risks the disapproval of their mother, Francesca. Just as she reaches the airport, her plan is nearly thwarted by a man who manages to steal her parking place and leave her stranded in the parking garage. That man, Luke Carlisle, works hard to support his unstable mother; his sister, Sophie; and his nieces in Southern California. When Sophie stops answering his questions about their mother, he decides it’s time to visit his family. The last thing he needs is an energetic, redheaded woman accusing him of stealing her parking space. When their plane makes an emergency landing in Joplin, Missouri, and Luke gets the last rental car, he impulsively asks Cassidy to share the drive. As they experience a car fire, train delays, and a drive through the desert, a connection develops between the pair that slowly turns romantic. As they approach their destination and more difficulties pile up, Cassidy and Luke wonder if it may be time to pursue their own happiness. Hart’s latest romance is a spirited, romantic update on the classic John Hughes–penned comedy film Planes, Trains and Automobiles (1987), featuring endearing protagonists, humorous detours, and plenty of heat. Luke and Cassidy are amiable characters whose rapport and romantic chemistry are consistently believable. In chapters that alternate between Cassidy’s and Luke’s perspectives, Hart deftly lays the foundation for their attraction and limns the family complications that keep them from acting on their feelings. Luke is revealed to be an avid cosplayer, and Hart frequently references his genre-fiction fandom (“Her insistence on getting closer to a burning, explosion-risk of a car is about to become my villain origin story”). Isabelle, Cassidy’s sister who has serious reservations about her pending nuptials, is also a well-drawn character.
A fun and heartfelt riff on an endearing ’80s comedy plot.Pub Date: May 23, 2023
ISBN: 9781649373922
Page Count: 352
Publisher: Entangled: Amara
Review Posted Online: Jan. 6, 2023
Kirkus Reviews Issue: Feb. 15, 2023
Review Program: Kirkus Indie
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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