Next book

THE YEAR WE TURNED FORTY

A charming but at times predictable novel exploring the importance of friendship and the futility of second-guessing one's...

A lighthearted novel—touched with magical elements—exploring the emotional high jinks that ensue when three best friends are given the chance to travel 10 years back in time.

Authors Fenton and Steinke (The Status Of All Things, 2015, etc.), longtime best friends in real life, continue their trajectory of frothy, pop-culture–infused women’s fiction with the story of Jessie, Gabriela, and Claire, three California women marred by varying degrees of dissatisfaction in their personal lives. Jessie is still riddled with shame about cheating on her husband, Grant, years earlier—an indiscretion that brought about her beloved son and triggered the dissolution of her marriage. Reeling from the news that Grant is newly engaged, Jessie's obsessive thoughts spin into overdrive. Gabriela never thought she wanted kids; a successful author, she was long content with fame, fortune, and the fantastic partner she’d found in husband Colin. But then she realized she wanted more—namely, a family—and, rounding 50, she still finds herself sad about missing her chance. Finally, Claire is excitedly engaged to a man she loves, though she keeps falling into ruminative spells of regret about her mother’s death and her troubled relationship with her demanding daughter. After the three best friends head to Vegas to jointly celebrate their birthdays, they’re shocked when a magician invites them backstage and offers them a chance to go back in time and redo their 40th year (an especially pivotal time in each of their lives). The women are thrilled—at first. The authors skillfully whisk readers along as the friends attempt to re-create the lives they think they should have had and as they realize some of their so-called mistakes may not have been mistakes after all.

A charming but at times predictable novel exploring the importance of friendship and the futility of second-guessing one's past.

Pub Date: April 26, 2016

ISBN: 978-1-4767-6344-6

Page Count: 320

Publisher: Washington Square/Pocket

Review Posted Online: Feb. 16, 2016

Kirkus Reviews Issue: March 1, 2016

Next book

THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

Next book

THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

Close Quickview