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THANK YOU, GARDEN

Joining a bumper crop of gardening titles, this suffices without standing out.

A diverse, intergenerational community works together in an urban garden.

Scanlon’s spare, rhyming text reads like an upbeat playground chant: “Garden ready, / garden new // Garden so much / work to do!” Verses cheerfully acknowledge the garden’s denizens—humans, flora, and fauna—as well as the chores and patience that yield the harvest. Shin’s flat, minimalist paintings depict four square raised beds with a red picnic table at their center. Stylized plants, some identifiable, most not, populate the plots rather primly, with lots of soil in between; only the tomatoes vine and twine with genuine exuberance as days pass. Children work, but the littlest two primarily play—with small vehicles, water, mud, and the garden’s critters. Though many skin tones are represented among the seven gardeners, facial features are rudimentary: black dots for eyes, red triangular noses, black crescents and triangles for mouths. Outfits change throughout, adding interest, and readers can spot a toy garden gnome that appears frequently. As the group prepares to gather at the table for a big salad, veggies, and luscious strawberries, Scanlon closes with lines of metaphor and gratitude: “Garden growing like a child, / rosy, / leggy, / fresh, and wild— // Wild in this muddy mess, / garden, thank you…. // Garden, yes!”

Joining a bumper crop of gardening titles, this suffices without standing out. (Picture book. 3-6)

Pub Date: March 3, 2020

ISBN: 978-1-4814-0350-4

Page Count: 32

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: Oct. 26, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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I'LL LOVE YOU FOREVER

Parent-child love and affection, appealingly presented, with the added attraction of the seasonal content and lack of gender...

A polar-bear parent speaks poetically of love for a child.

A genderless adult and cub travel through the landscapes of an arctic year. Each of the softly rendered double-page paintings has a very different feel and color palette as the pair go through the seasons, walking through wintry ice and snow and green summer meadows, cavorting in the blue ocean, watching whales, and playing beside musk oxen. The rhymes of the four-line stanzas are not forced, as is the case too often in picture books of this type: “When cold, winter winds / blow the leaves far and wide, / You’ll cross the great icebergs / with me by your side.” On a dark, snowy night, the loving parent says: “But for now, cuddle close / while the stars softly shine. // I’ll always be yours, / and you’ll always be mine.” As the last illustration shows the pair curled up for sleep, young listeners will be lulled to sweet dreams by the calm tenor of the pictures and the words. While far from original, this timeless theme is always in demand, and the combination of delightful illustrations and poetry that scans well make this a good choice for early-childhood classrooms, public libraries, and one-on-one home read-alouds.

Parent-child love and affection, appealingly presented, with the added attraction of the seasonal content and lack of gender restrictions. (Picture book. 3-6)

Pub Date: Sept. 1, 2017

ISBN: 978-1-68010-070-9

Page Count: 32

Publisher: Tiger Tales

Review Posted Online: July 1, 2017

Kirkus Reviews Issue: July 15, 2017

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