A captivating debut.
A moving memoir about how “systems fail but food is revolutionary.”
In 2006, Hauck began an unusual volunteer project at a group home for adolescent boys in state care. She had conceived the project with her father, a social worker and co-founder of the nonprofit residence; after he died, the author decided to make the plan a reality. “Cooking at the House,” she writes in this highly affecting story, “would be a way to finish one item on my father’s largely unfinished to-do list.” A high school Spanish teacher, Hauck had no clear plans for her future, and she was burdened by an abiding sense of grief over her father’s death. “The project,” she reflects, “was less about retracing his steps than understanding the map of the world he lived in, to figure out how it might also be mine.” The boys—eight at any one time—picked the menus, she arrived once a week with groceries that she paid for herself, and they cooked and ate together for nearly three years. The boys’ food choices usually leaned toward pizza, stir-fry, and quesadillas, but once they asked for fried chicken, which Hauck had never made. Armed with a recipe from a friend’s mother, she soon realized that it was far different from what the boys had eaten. “Until the fried chicken, we hadn’t really addressed race,” she writes. “It was obviously always present, but we never talked about the ways race inflected our food, our bodies, our everything. Until the fried chicken, we cooked around it.” Hauck creates indelible portraits of the wounded, lonely, and disillusioned boys, some of whom lashed out in anger at a world that had failed them. When the residence closed in 2009 due to lack of funding, the director implored Hauck to write about her experience: “You have to tell the story. That something happened here. Or there will be no trace of any of it.” Hauck’s sensitive memoir honors the boys she nourished.
A captivating debut.Pub Date: June 8, 2021
ISBN: 978-0-525-51243-1
Page Count: 400
Publisher: Dial Press
Review Posted Online: April 9, 2021
Kirkus Reviews Issue: May 1, 2021
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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