A page-turner chock full of lies and betrayals and a very creepy mother-son relationship.
Laurence Fitzsimons has a mother who’s determined to control everything, and everyone, around her—even if she has to kill to do it.
When 22-year-old Annie Doyle is murdered, it’s ugly and sudden. Her life ends in 1980 on a Dublin beach at the hands of Lydia and Andrew Fitzsimons, for reasons not immediately made clear. Lydia doesn’t feel at all bad about the deed: “I like to think I did the girl a kindness, like putting an injured bird out of its misery. She did not deserve such kindness.” Lydia is disillusioned with Andrew after more than 21 years of marriage, and although they live in a lovely estate called Avalon, they are nearly penniless because of Andrew’s bad investments. All Lydia really cares about is her 17-year-old son, Laurence, whose every move she attempts to control. Laurence is overweight and bullied at school, but he’s also observant and not at all stupid. His parents are acting squirrelly, and he soon suspects one or both of them had a hand in Annie’s death. Meanwhile, Annie’s sister, Karen, is convinced something bad has happened to Annie, who has always been troubled: At 16 she became pregnant, was sent to a home for unwed mothers, and was forced to give up her baby girl, Marnie. It left her forever changed. Karen begins investigating on her own, eventually becoming intimately tied to the Fitzsimons. Like Unraveling Oliver (2017), this is a whydunit, not a whodunit, and the real meat lies in Nugent’s exploration of motherhood, mental illness, and what could drive a person to murder, told through first-person accounts from Lydia, Karen, and Laurence. Lydia is a Gothic villain for the ages, and Annie is sympathetically drawn; a letter she wrote to Marnie, riddled with misspellings, is heartbreaking. Society failed Annie, and her victimization never ended, even after her death.
A page-turner chock full of lies and betrayals and a very creepy mother-son relationship.Pub Date: June 12, 2018
ISBN: 978-1-5011-6777-5
Page Count: 320
Publisher: Scout Press/Simon & Schuster
Review Posted Online: April 2, 2018
Kirkus Reviews Issue: April 15, 2018
BOOK TO SCREEN
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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