by Liz Plank ‧ RELEASE DATE: Sept. 10, 2019
A canny appeal to the self-interest of men in reforming gender roles.
Journalist and video blogger Plank's spirited first book addresses the problems men face in trying to live up to outmoded concepts of masculinity.
While the author considers in passing the effects of what she calls “toxic masculinity” on women who often experience its unfortunate side effects, her main emphasis is on the men whose lives it damages. Writing in staccato bursts and frequently citing experts she has interviewed as well as written sources, Plank makes the case that what we consider masculine traits are socially determined rather than innate and that men at this point in time may be more limited by gender expectations than women are. “We updated what it means to be a woman, but we didn't update what it meant to be a man,” she writes. For example, she suggests, women are beginning to feel free to express anger, while men are less apt to express fear or sadness. Women can comfortably wear the kind of clothing traditionally reserved for men, while men don't have the luxury of wearing women's clothing without comment. At the heart of the male dilemma, writes the author, is the “male shame spiral” in which men feel guilty about not being able to live up to the traditional macho ideal and then feel increasingly ashamed because they have to hide their feelings. Plank intersperses her longer chapters with short sections she labels “amuse-bouche,” most of which introduce men who are defying conventional definitions of masculinity. At times, she can be glib and given to metaphors that try to be folksy. “Freedom is like pancakes at IHOP: you can't run out,” she writes. While persuading the target male audience to read the book may be a challenge, those who take the leap will find plenty to think about.
A canny appeal to the self-interest of men in reforming gender roles.Pub Date: Sept. 10, 2019
ISBN: 978-1-250-19624-8
Page Count: 336
Publisher: St. Martin's
Review Posted Online: June 29, 2019
Kirkus Reviews Issue: July 15, 2019
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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