It’s a consciously silly pretense, but discussion possibilities abound, and there’s no question it’s funny.
After being excluded, a polar bear gets her turn to shine.
Ursula (the polar bear) and Ricardo (a dark-haired white man with a mustache and soul patch) are in a public pool practicing their routine for an upcoming water-ballet competition. They twirl, splash, and leap with precision. But one day, the pool management decides that bears are no longer welcome. It should be noted that a menagerie of animals is in the water at all times, but bears are suddenly too hairy. Ursula believes that dressing up like a rabbit will solve the problem, but Ricardo has already found a new partner: Hortense the giraffe. Ursula is dejected. She slinks to the local pond to practice water ballet by herself. There, she meets a new group (some bears but other animals as well), and they decide to storm the competition. Ricardo and Hortense win first place, but the ursine group captures the hearts of the crowd, and a more important victory is won. The pool becomes a welcome place for everyone again. This is certainly a creative spin on inclusivity—an issue never before approached through agile polar-bear paw positions or the graceful lifting of camels in the air. Starin’s anthropomorphized cats, chickens, crocs, and more (along with amusing asides in the background) steal the show.
It’s a consciously silly pretense, but discussion possibilities abound, and there’s no question it’s funny. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-374-30098-2
Page Count: 32
Publisher: Farrar, Straus and Giroux
Review Posted Online: March 29, 2016
Kirkus Reviews Issue: April 15, 2016
BOOK REVIEW
BOOK REVIEW
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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