Palmer’s fine wit is certainly on display, but all the straight talk about female empowerment and self-analysis feels...
A Washington, D.C., ad executive tackles what appears to be the 21st-century woman’s greatest challenge: learning to be happy with herself.
Anna Wyatt just turned 40 and has a plan for her professional future—pitch an ad for Lumineux shower gel and hopefully the whole parent company, Quincy Pharmaceuticals, will come her way. This would get Anna out of Holloway/Greene’s pink ghetto of lady products to play with the big boys. She’s assigned illustrator Sasha Merchant—so stunning she’s confused for a model—and the two become fast friends. Sasha is obsessed with Be the Heroine, Find Your Hero, a self-help guide for women based on the plots of romance novels. They use the book as inspiration for their campaign, win over the Lumineux team and soon find themselves in Phoenix at RomanceCon, a romance-novel convention, where they will find the face of Lumineux from the male cover models in the annual pageant. There is much bicep ogling. Meanwhile, at the Phoenix Biltmore, Anna meets Lincoln Mallory: British, witty and finely attired. After a steamy elevator ride, the two begin a lusty affair touched with sadness; they keep telling each other they're too emotionally damaged to have a real relationship. Anna felt unloved by her parents, and Lincoln feels guilty over his Iraq experience. None of this is very convincing, and too often the novel reads like a self-help book itself, lacking the kind of subtlety needed for complex characterizations. When Anna and Lincoln leave Phoenix to go back to their real lives, Anna asks him to meet her in a year. Will they wait for each other? Will Anna break the glass ceiling? Palmer offers a bumpy ride to a satisfying end.
Palmer’s fine wit is certainly on display, but all the straight talk about female empowerment and self-analysis feels heavy-handed and clichéd.Pub Date: Jan. 27, 2015
ISBN: 978-0-06-229724-2
Page Count: 384
Publisher: Morrow/HarperCollins
Review Posted Online: Nov. 5, 2014
Kirkus Reviews Issue: Nov. 15, 2014
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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