An intriguing but imperfect attempt to translate the subtlety and poise of Bishop’s poetry into prose.
Inspired by a missing period in poet Elizabeth Bishop’s journals, Wieland (Land of Enchantment, 2015, etc.) imagines her adventures in France on the brink of World War II.
Although the bulk of the action takes place in 1936 and ’37, we first meet Elizabeth as an undergraduate at Vassar in 1930. She relishes conversations with her roommate, Margaret, as involved with painting as Elizabeth is with poetry, and envies Margaret’s relationship with her mother; Elizabeth’s has been in a mental institution since she was 5. Elizabeth already drinks more than is wise, but that doesn’t keep her from connecting with Marianne Moore, who becomes her mentor, and from attracting the attention of Robert, a sweet young man she could maybe love, if she were interested in men. By the time she sails for France in 1936 with her well-connected friend Louise, the two women are lovers, or at least, Wieland has implied that in the oblique style that characterizes the entire novel. It’s equally unclear why the three German women they meet in Douarnenez have left Berlin, nor do things become clearer in Paris. There, Elizabeth meets Sylvia Beach, Natalie Barney, and German deputy ambassador Ernst vom Rath, whose assassination (the pretext for Kristallnacht) is alluded to but remains as murky as everything else in a finely written but frustrating narrative. Wieland creates an unsettled, dread-soaked atmosphere appropriate to the period, with ugly scenes of Jew baiting and inexplicable German rage, but it’s no substitute for character development. The facts that Elizabeth yearns for her lost mother and that Marianne Moore has urged her to engage with the world don’t seem adequate to explain why the poet agrees to help French aristocrat Clara smuggle two Jewish infants to safety in a Paris convent. A hasty wrap-up that whisks from 1938 to 1979 in 25 fragmentary pages reinforces the impression of an author not quite sure what she intends.
An intriguing but imperfect attempt to translate the subtlety and poise of Bishop’s poetry into prose.Pub Date: June 11, 2019
ISBN: 978-1-5011-9721-5
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: March 17, 2019
Kirkus Reviews Issue: April 1, 2019
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
