Nature tells good stories if we only get outside and look around.
When a child’s mother is too busy for stories, he follows some tracks in the snow and makes up his own.
Milo’s angry face as he stomps out the door speaks volumes about his disappointment. But it isn’t long before he spies a mouse’s tracks under the birdfeeder and begins a journey of discovery. At the winterberry bush, Milo observes that all the red berries are gone and finds a single feather; “What had happened here?” A page turn allows readers time to guess: A flock of cedar waxwings (identified on the endpapers along with tracks and a few animals that readers will have to look very closely to find) flies over the tiny mouse, a single red berry falling to the ground. This pattern repeats, with Milo finding fallen hemlock branches (porcupines), clods of dirt (grazing deer), a smooth trail to the creek (otters), and wing prints in the snow (a narrow miss with a red-tailed hawk). The call of “Dinner time!” has Milo following the trail back to a hole in the snow by his house; a cutaway view shows a second mouse waiting under the woodpile. As Milo lays his treasures—a feather, an acorn, a hemlock branch, and a fish skeleton—on the table, he declines his mother’s offer of stories: He’s got one to tell instead. Both have pale skin and straight, dark hair. Pair with some children’s nature guidebooks to ignite imaginations. (This book was reviewed digitally with 10.5-by-19-inch double-page spreads viewed at 30.1% of actual size.)
Nature tells good stories if we only get outside and look around. (Picture book. 4-8)Pub Date: Nov. 24, 2020
ISBN: 978-0-8234-4099-3
Page Count: 40
Publisher: Holiday House
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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BOOK REVIEW
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