Every book its reader, as the old meme goes, and vice versa.
Squirrel pairs each wild animal with just the right reading matter in this paean to the pleasures of print.
Boyd brings back the cast of Hide-and-Sleep (2019) and also employs the same alternating full- and split-page format to set up a simple guessing game. Floating into view in a boat loaded with books, Squirrel holds up one volume with a carrot on the cover: “A book for you!” For whom? The only visual cue is a pair of ears sticking up from behind a rock—until the flap is flipped to show Rabbit, reading happily. The distribution goes on, as the next “book for you!” which displays a nest with an egg, goes to…Bird, followed by one with an image of a flower for Butterfly, a water lily for Frog, and on until the last reader to be served, Owl (a tree adorns its cover), calls out “Whoo-whoo-whoo loves books?!” The answer, obviously, is: “Everyone!” Each page turn reveals more and more brightly colored and simply drawn creatures, even fish, noses buried in their reading. In the final picture all have climbed into the S.S. Book Boat, and who would find the author’s closing “All aboard!” an invitation anything short of irresistible?
Every book its reader, as the old meme goes, and vice versa. (Novelty picture book. 4-6)Pub Date: Feb. 11, 2020
ISBN: 978-1-4521-7097-8
Page Count: 18
Publisher: Chronicle Books
Review Posted Online: Dec. 7, 2019
Kirkus Reviews Issue: Jan. 15, 2020
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history.
Ferry and the Fans portray a popular seasonal character’s unlikely friendship.
Initially, the protagonist is shown in his solitary world: “Scarecrow stands alone and scares / the fox and deer, / the mice and crows. / It’s all he does. It’s all he knows.” His presence is effective; the animals stay outside the fenced-in fields, but the omniscient narrator laments the character’s lack of friends or places to go. Everything changes when a baby crow falls nearby. Breaking his pole so he can bend, the scarecrow picks it up, placing the creature in the bib of his overalls while singing a lullaby. Both abandon natural tendencies until the crow learns to fly—and thus departs. The aabb rhyme scheme flows reasonably well, propelling the narrative through fall, winter, and spring, when the mature crow returns with a mate to build a nest in the overalls bib that once was his home. The Fan brothers capture the emotional tenor of the seasons and the main character in their panoramic pencil, ballpoint, and digital compositions. Particularly poignant is the close-up of the scarecrow’s burlap face, his stitched mouth and leaf-rimmed head conveying such sadness after his companion goes. Some adults may wonder why the scarecrow seems to have only partial agency, but children will be tuned into the problem, gratified by the resolution.
A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history. (Picture book. 4-6)Pub Date: Sept. 3, 2019
ISBN: 978-0-06-247576-3
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
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