Every book its reader, as the old meme goes, and vice versa.
Squirrel pairs each wild animal with just the right reading matter in this paean to the pleasures of print.
Boyd brings back the cast of Hide-and-Sleep (2019) and also employs the same alternating full- and split-page format to set up a simple guessing game. Floating into view in a boat loaded with books, Squirrel holds up one volume with a carrot on the cover: “A book for you!” For whom? The only visual cue is a pair of ears sticking up from behind a rock—until the flap is flipped to show Rabbit, reading happily. The distribution goes on, as the next “book for you!” which displays a nest with an egg, goes to…Bird, followed by one with an image of a flower for Butterfly, a water lily for Frog, and on until the last reader to be served, Owl (a tree adorns its cover), calls out “Whoo-whoo-whoo loves books?!” The answer, obviously, is: “Everyone!” Each page turn reveals more and more brightly colored and simply drawn creatures, even fish, noses buried in their reading. In the final picture all have climbed into the S.S. Book Boat, and who would find the author’s closing “All aboard!” an invitation anything short of irresistible?
Every book its reader, as the old meme goes, and vice versa. (Novelty picture book. 4-6)Pub Date: Feb. 11, 2020
ISBN: 978-1-4521-7097-8
Page Count: 18
Publisher: Chronicle Books
Review Posted Online: Dec. 7, 2019
Kirkus Reviews Issue: Jan. 15, 2020
A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history.
Ferry and the Fans portray a popular seasonal character’s unlikely friendship.
Initially, the protagonist is shown in his solitary world: “Scarecrow stands alone and scares / the fox and deer, / the mice and crows. / It’s all he does. It’s all he knows.” His presence is effective; the animals stay outside the fenced-in fields, but the omniscient narrator laments the character’s lack of friends or places to go. Everything changes when a baby crow falls nearby. Breaking his pole so he can bend, the scarecrow picks it up, placing the creature in the bib of his overalls while singing a lullaby. Both abandon natural tendencies until the crow learns to fly—and thus departs. The aabb rhyme scheme flows reasonably well, propelling the narrative through fall, winter, and spring, when the mature crow returns with a mate to build a nest in the overalls bib that once was his home. The Fan brothers capture the emotional tenor of the seasons and the main character in their panoramic pencil, ballpoint, and digital compositions. Particularly poignant is the close-up of the scarecrow’s burlap face, his stitched mouth and leaf-rimmed head conveying such sadness after his companion goes. Some adults may wonder why the scarecrow seems to have only partial agency, but children will be tuned into the problem, gratified by the resolution.
A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history. (Picture book. 4-6)Pub Date: Sept. 3, 2019
ISBN: 978-0-06-247576-3
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
Low grade.
A gray character tries to write an all-gray book.
The six primary and secondary colors are building a rainbow, each contributing the hue of their own body, and Gray feels forlorn and left out because rainbows contain no gray. So Gray—who, like the other characters, has a solid, triangular body, a doodle-style face, and stick limbs—sets off alone to create “the GRAYest book ever.” His book inside a book shows a peaceful gray cliff house near a gray sea with gentle whitecaps; his three gray characters—hippo, wolf, kitten—wait for their arc to begin. But then the primaries arrive and call the gray scene “dismal, bleak, and gloomy.” The secondaries show up too, and soon everyone’s overrunning Gray’s creation. When Gray refuses to let White and Black participate, astute readers will note the flaw: White and black (the colors) had already been included in the early all-gray spreads. Ironically, Gray’s book within a book displays calm, passable art while the metabook’s unsubtle illustrations and sloppy design make for cramped and crowded pages that are too busy to hold visual focus. The speech-bubble dialogue’s snappy enough (Blue calls people “dude,” and there are puns). A convoluted moral muddles the core artistic question—whether a whole book can be gray—and instead highlights a trite message about working together.
Low grade. (glossary) (Picture book. 4-6)Pub Date: Dec. 1, 2019
ISBN: 978-1-5420-4340-3
Page Count: 40
Publisher: Two Lions
Review Posted Online: July 22, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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