An absorbing, multilayered woman headlines this engrossing tale of deceit and vulnerability.
In this drama, a Pennsylvania crime novelist complicates her latest work by getting close to the family providing her source material.
Sydney Long rolls into a small Maryland town to write about a recent murder. Bill “Swannee” Swann Jr. shot his mother while she lay in bed—just the kind of true crime that’s inspired Sydney’s last few novels. She cozies up to locals to get details on Swannee, who’s staying mum in prison, and even befriends his brother, Jake, and sister, Maggie Craill. Sydney passes herself off as a writer on a working vacation without telling anyone what her novel in progress is about. This entails a bit of deception as well as some snooping and eavesdropping. But in the process, she’s drawn to compassionate Jake and resilient Maggie. Sydney, having fought through problems in her own past, believes her book could start a “healing journey” for the siblings. But that means telling Jake and Maggie the truth, something that may obliterate the surprising intimacy they’ve gradually developed. Readers won’t immediately warm up to Sydney, who manipulates many people in a largely affable community. She’s nevertheless gleefully complex; her “pure” motives of helping the siblings through tragedy feel contrived, but Sydney seems to genuinely believe them. Her personal life, too, proves more riveting than her novel’s subject matter, as she faces hostility from Jake’s ex-fiancee and deals with a string of vaguely threatening anonymous texts (“Watch your back”). Qnert gives each of the alternating first-person narrations—Sydney’s, Jake’s, and Maggie’s—a distinctive flavor, while pithy writing keeps the engaging story moving at a steady clip. And though the murder itself is hardly the focus, a few mysteries do unravel, from certain individuals’ past abuse to some things Sydney keeps under wraps. This is a dense, character-driven tale that makes the ending both worthwhile and nearly impossible to predict.
An absorbing, multilayered woman headlines this engrossing tale of deceit and vulnerability.Pub Date: N/A
ISBN: N/A
Page Count: 334
Publisher: manuscript
Review Posted Online: Feb. 17, 2023
Review Program: Kirkus Indie
A sweet bedtime story.
A boy and his stuffed bear head into the woods.
Having captured readers’ attention with Born a Crime (2016), his bestselling memoir of growing up in South Africa, comedian and television host Noah has written a parable about decision-making. As he puts it in a brief prologue, “It’s about disagreements and difference—but it’s also about how we bridge those gaps and find what matters most, whether we’re parents or kids, neighbors, gnomes, or political adversaries. It’s a picture book, but it’s not a children’s book. Rather, it is a book for kids to share with parents and for parents to share with kids.” With plentiful illustrations by Hahn and in language aimed at young listeners, it tells the story of a small boy so impatient to start his Saturday adventures that he rebels against the rules of his household and heads out without brushing his teeth or making his bed, despite the reminders of his stuffed bear, Walter. “We can’t just run away,” protests the bear. “Your mother will miss you. And where will we sleep? And who will make us waffles?” “We’ll build our own house,” the boy responds. “And we’ll grow our own waffles!” From there, the pair go on their walkabout, encountering a garden gnome, a pair of snails, and a gang of animated coins who have lessons to offer about making choices. Though the author suggests in the introduction that adult readers might enjoy the book on their own, those looking for a follow-up to the memoir or a foray into adult fiction should be warned that this is not that book.
A sweet bedtime story.Pub Date: Oct. 8, 2024
ISBN: 9780593729960
Page Count: 128
Publisher: One World/Random House
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
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