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DETOUR

MY BIPOLAR ROAD TRIP IN 4-D

It’s no easy thing to provide a glimpse into the churning melancholia of bipolar lows, but Simon manages it—with...

A cross-country road trip—mostly lucid, sometimes scary: the bipolar Simon interviews other bipolar people who have been successfully treated and now lead highly functional lives, while she regularly gets pounded by her own disorder.

She opens with a guided tour into her mental illness, telling how in high school she became jittery, then confused, layering anxieties upon anxieties, finding it increasingly difficult to speak or stop the tears, moving toward a paranoia that convinced her the CIA was out to kidnap her cat. The tour is impressive—with its darting sentences, stops and starts, gasped breaths—for the way it conveys the smothering, agitated brain fever Simon was feeling. She gets help, is given medication to bring the chemistry into a semblance of balance, and it isn’t long before she formulates the idea of a road trip to find her herd of people: bipolars who have laid siege to their disorder. She swings low out of New York and west across the southern tier, talking to others about the circumstances of their disorder, what went right for them, what things they did that gave them a leg up. This is no easy road; Simon knows, as do her interviewees, that one’s mercurial nature can leak through the medication, and she knows the fear that comes with hearing the biochemical and psychological cues that that’s happening. Each time, she does what’s needed to reestablish her sense of self: sob, or soak in the sun and read a magazine, or flee. She learns to give herself a break, to cast a wary eye on guilt, shame, and stigma: “I made my top priority to be OK in my body and in my mind. . . .” It sounds simple. But it wasn’t.

It’s no easy thing to provide a glimpse into the churning melancholia of bipolar lows, but Simon manages it—with considerable effect indeed.

Pub Date: June 1, 2001

ISBN: 0-7434-4659-3

Page Count: 224

Publisher: Pocket

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2002

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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