A wonderful set of 16 stories that covers a lot of ground and features many genres—from myth and folklore to the postmodern...
Short fiction by some of Africa’s most talented writers.
Since 2000, the annual Caine Prize in African Writing has celebrated some of the most innovative and evocative English-language short fiction by African writers. This collection, which features the five stories shortlisted for this year's prize, as well as 11 stories written during the 2017 Caine Prize Writers’ Workshop, held in Tanzania, continues that tradition. The anthology opens impressively with “Who Will Greet You At Home,” one of two stories by Lesley Nneka Arimah (author of Kirkus Prize finalist What It Means When a Man Falls from the Sky, 2017), a harrowing and subtly complex tale about a young girl whose obsession with becoming a mother has dire consequences. The often fraught relationship between parent and child is a theme found in several other pieces, including Darla Rudakaubana’s painful “Family Ties” and Lydia Kasese’s surprising “My Mother’s Project,” an exploration of the limits of perspective that unveils what it means to see one’s parents as complicated people. The prize winner, Bushra al-Fadil’s “The Story of the Girl Whose Birds Flew Away,” is a vibrant delineation of a summer day in the market and a fateful encounter. Agazit Abate’s “Fidel,” a humorous recounting of the main character’s breakup with her boyfriend and her immense love for Fidel Castro, adds levity to the collection. Love and sexuality are also expertly explored in Arinze Ifeakandu’s achingly beautiful “God’s Children are Little Broken Things” and Daniel Rafiki’s speculative fiction, “Five Is Not Half of Ten,” which will leave readers asking the proverbial, What happened next? Indeed, all the authors render their stories well, building hauntingly familiar or fascinatingly new worlds and exploring them creatively.
A wonderful set of 16 stories that covers a lot of ground and features many genres—from myth and folklore to the postmodern and experimental—in a way that will surely satisfy readers.Pub Date: Nov. 16, 2017
ISBN: 978-1-56656-034-4
Page Count: 240
Publisher: Interlink
Review Posted Online: Sept. 18, 2017
Kirkus Reviews Issue: Oct. 1, 2017
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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