A page-turning look at the aftermath of a parent’s worst nightmare.
On the 15th anniversary of her sister’s disappearance, a young woman launches her own investigation in British author Barber’s U.S. debut.
Rosie Archer was only a baby when her 3-year-old sister, Emily, disappeared at Astroland, a Florida amusement park they visited while on vacation from England. Her parents haven’t given up hope that Emily is still alive, but Rosie and her younger brother, Rob, have largely borne the brunt of the fallout. The high profile of Rosie’s famous music producer father has ensured that everyone knows who Rosie is. It’s not the kind of celebrity she wants, and her parents are understandably overprotective; Rosie chafes at this situation with risky behavior. Fifteen years haven’t blunted the guilt and blame that cycle between Emily’s parents, and while it’s obvious they’ve done their best by Rosie and Rob, the siblings' lives have been irrevocably shaped by the sister they never knew. When Rosie finds out that the trust set up to fund the search for her sister is about to run out, she decides she’s going to find out what happened to Emily and hopefully get closure for herself and her family. Meanwhile, in Florida, 18-year-old Anna Montgomery lives with her reclusive, ultrareligious mother, Mary, and is ecstatic to be heading for the forbidden Astroland with her boyfriend, William. It’s there that she flashes on some disturbing memories, and a letter hand-delivered to her mailbox calling her by another name causes Anna to question her entire existence and do a little digging (literally) of her own. Readers will quickly know the “who” of the story—it’s the “why” that’s the focus, and Rosie’s and Anna’s dual narratives lend intimacy and emotional resonance. Anna’s story often veers into Carrie territory, and Barber renders the Archers’ heart-wrenching plight with realistic emotional intensity. While it stretches credulity a bit that a teen, even a clever one like Rosie, would have more luck than all those Scotland Yard investigators and private detectives, readers willing to just go with it will find a lot to enjoy.
A page-turning look at the aftermath of a parent’s worst nightmare.Pub Date: Sept. 3, 2019
ISBN: 978-0-7783-0899-7
Page Count: 320
Publisher: Harlequin MIRA
Review Posted Online: June 30, 2019
Kirkus Reviews Issue: July 15, 2019
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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