A relevant and engaging coming-of-age novel that highlights the accountability that comes with adulthood.
After opening the door to a locked room at a drunken party and seeing something not meant for her to see, events are set in motion that change Harley’s life—and those of her sister and boyfriend—forever.
The next morning, Audrey, Harley’s younger sister, is in a coma, fighting for her life. Harley’s boyfriend, Mike, is responsible for the drunken driving accident that put her there. Harley is consumed by both guilt and rage but also immersed in the tedium of hospital life, waiting for any signs of improvement. Over the years she’s witnessed Mike’s drinking become more and more reckless, culminating in the betrayal that prompted her to leave the party without her sister by her side. In chapters that alternate between the present and scenes from the past, Harley explores her relationships with Audrey, Mike, and Rafael, the childhood friend she reconnects with after the accident. They bond through late-night cigarette breaks, an affinity for comics, and a shared understanding of tragedy. Rafael, Latinx, has also faced substance abuse issues, and his growing self-awareness and commitment to sobriety stand out in stark contrast to Mike’s denial and insecurity. Driven by authentic and well-developed characters and relationships, this work presents a compelling exploration of responsibility and forgiveness. Harley and her family and boyfriend are assumed white.
A relevant and engaging coming-of-age novel that highlights the accountability that comes with adulthood. (author’s note/resources) (Fiction. 14-18)Pub Date: Feb. 19, 2019
ISBN: 978-1-61695-987-6
Page Count: 336
Publisher: Soho
Review Posted Online: Oct. 27, 2018
Kirkus Reviews Issue: Dec. 1, 2018
BOOK REVIEW
BOOK REVIEW
PROFILES
Riveting, brutal and beautifully told.
A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 16, 2014
Kirkus Reviews Issue: April 1, 2014
PROFILES
BOOK TO SCREEN
BOOK TO SCREEN
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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