by Lloyd Bradley ‧ RELEASE DATE: Oct. 1, 2001
An exciting and thorough sense of reggae’s originality and perseverance in the face of crooked businessmen, thuggish...
An expansive, impassioned history of Jamaican reggae.
British music journalist Bradley roots his story in the details and personalities of the Jamaican postwar era: as colonialism faded away, nascent island cultures, stoked by the 1950s economic boom, made their mark, particularly through their “sound system” phenomenon, a precursor to today’s raves and hip-hop culture, at which operators played new, rare soul records from the UK and America to increasingly raucous crowds. A bizarre rivalry between sound systems like Trojan and Downbeat (and flamboyant sound men like Prince Coxsone and Duke Reid) soon led to widespread violence; the public obsession over the sound systems also reflected the class- and appearance-based stratification that ran rampant within Jamaican society. Although ambitious local singers soon issued their own crude recordings, which eventually gelled around the up-tempo “ska” sound, it was the once-scorned Rastafari subculture (rooted in the thwarted Black Nationalism of Haile Selassie’s Ethiopia) that transformed Jamaican music, becoming “never so much as one step removed from the heart and soul of Kingston’s studios.” This occurred primarily in the person of Bob Marley, who embodied a great deal more than an archtypical “country bwoy” with an outsize musical talent. He was Jamaica’s “Malcolm X for the 1970s.” Bradley also works hard to include compressed stories of the many musicians both famous and obscure, who helped advance Jamaican music—from early artists like the Skatalites and Desmond Dekker, and eccentric innovators like Lee “Scratch” Perry, to international acts like Jimmy Cliff and Burning Spear—and discusses how subgenres like ska and rocksteady reflected the volatile political thrashings of Jamaica in the ’60s and ’70s.
An exciting and thorough sense of reggae’s originality and perseverance in the face of crooked businessmen, thuggish interlopers, and general apathy from the Jamaican establishment. This will be the standard reference on the subject.Pub Date: Oct. 1, 2001
ISBN: 0-8021-3828-4
Page Count: 592
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2001
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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