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A BLESSING WELL DISGUISED

A BLINDED ARTIST'S INNER JOURNEY OUT OF THE DARK

In 1966, Burlingame was only 31 but was just starting to receive professional accolades as a stage designer on Broadway in...

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In this candid memoir, Broadway and opera stage designer Burlingame (Sets, Lights, & Lunacy: A Stage Designer’s Adventures on Broadway and in Opera, 2013, etc.) shines the spotlight on his broken childhood and his painful—but enlightening—loss of eyesight.

In 1966, Burlingame was only 31 but was just starting to receive professional accolades as a stage designer on Broadway in addition to his working with the renowned producer David Merrick. Burlingame ultimately became co-chair of the design department at NYU’s Tisch School of the Arts, but he continued to grapple with turmoil caused by his past. As a gay man who grew up in the 1930s and ’40s in Arlington, Virginia, Burlingame had learned to hate himself and his abusive, alcoholic father, who once threatened his mother with an ax. To make matters worse, the author discovered that he was slowly going blind. His job at NYU allowed him the financial privilege of receiving psychological help from Edward Edinger, an influential Jungian analyst. This honest, swiftly paced account details Burlingame’s 20-plus-year journey of self-discovery as he came to terms with the past and prepared for a future without eyesight (he’s now fully blind). A fan of Jungian analysis, Burlingame includes color pictures of his own dream-inspired artwork, as well as descriptions of some meetings with Edinger. He first thought of his blindness as a curse from an evil god who poked out his eyes, and he wondered how a blind artist could be any good. Yet as he realized his own self-worth, he eventually considered his blindness to be a blessing: “Going to the heart of the matter, maybe one way to understand ‘what good is a blind man?’ is to ask the fundamental question ‘what good is any man or woman?’ ” Burlingame admirably reinvented himself: Unable to design sets due to his failing eyesight, he embraced the art of quilting. Though at first he was afraid to walk with a cane through the sometimes-hostile streets of New York City, he eventually fell in love with two guide dogs who helped him navigate. Unlike his father, who committed suicide, Burlingame made peace with the past and at almost 80 has learned to love his inner child and “inner gay brother.”

Pub Date: Sept. 30, 2014

ISBN: 978-1500190927

Page Count: 276

Publisher: CreateSpace

Review Posted Online: Nov. 6, 2014

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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