An eloquent microcosm of the existence endured by many of the world’s 68.5 million displaced persons, refugees, and asylum...
A tale of two caged men that provides an affecting fable for the plight of refugees.
The poorly clothed strangers arrive in an unnamed town and are given a room in a hotel. They’ve come from far away but decline to give their names, addresses, or the reason for their travels, which soon emerges as flight from some cataclysm. When pressed, the strangers respond symbolically, making from fencing wire a sculpture like a large, crude tea-strainer, which “represents [their] conundrum”: They are people who cannot speak of a past they have fled. Two townsmen scale up the creation, building a graphic irony that will confine the strangers until they explain their catastrophe, which is deemed important to the town’s well-being. In this cage they are exposed to the elements, fed through a hole, cleaned with a hose, and forced to eliminate in situ. The foul smell permeates the narrative. A committee forms to oversee them and asks a young man, the first-person narrator, to deliver weekly reports on their behavior. He’s eager, callow, not without empathy—a plausible stand-in for many readers. For the New Zealand–born Jones (A History of Silence, 2013, etc.), the strangers’ reticence serves the nonspecific nature of fable, but there’s an implication that they know from experience that their answers won’t satisfy their inquisitors. Similarly, they often ask about “the woman from the agency,” a Godot-like figure who also suggests this isn’t their first run-in with the elusive totems of bureaucracy. Meanwhile, the narrator gets fleshed out more than the committee members, with their smug justifications and group shrugs. He comes to reflect another conundrum, that of the well-meaning observer who seems to grow in awareness, even to care, yet still risks little to relieve abject conditions.
An eloquent microcosm of the existence endured by many of the world’s 68.5 million displaced persons, refugees, and asylum seekers, as recently counted by the United Nations.Pub Date: April 9, 2019
ISBN: 978-1925603-22-4
Page Count: 271
Publisher: Text
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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