A tense, engrossing story that effectively captures the suspicion and paranoia that prevailed during American history’s...
This historical novel revisits the anxious, fearful time of the Cold War, when blacklists, political profiling, and guilt by association ruined the lives of thousands of innocent people and deeply divided the nation.
Elliott sets the story in 1953, when the Red Scare is at its peak. Julius and Ethel Rosenberg are executed for spying for the Soviet Union, the “Hollywood 10” are sentenced to prison for refusing to name names, and Sen. Joseph McCarthy recklessly exposes people he deems subversives and communist sympathizers. Richard, the teenage son of an FBI agent living in Washington, D.C., belongs to a white family of patriotic true believers in 1950s-era American values. When a family from Czechoslovakia moves in down the street, Richard befriends a son his age named Vlad, who shares his musical tastes and passion for literature. The family’s bold, unconventional ideas about art and politics prompt Richard to question many of his preconceived notions about patriotism. When Vlad’s father’s loyalty is questioned and comes under investigation, Richard is forced to confront his beliefs about friendship and betrayal. Interspersed throughout the narrative are photos, news headlines, ads, quotes, and political cartoons from the era that offer insightful historical context to the story in a documentary style that resembles that of Deborah Wiles’ novels Countdown (2010) and Revolution (2014).
A tense, engrossing story that effectively captures the suspicion and paranoia that prevailed during American history’s darkest chapters. (Historical fiction. 11-14)Pub Date: Sept. 19, 2017
ISBN: 978-1-4231-5754-0
Page Count: 304
Publisher: Disney-Hyperion
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
BOOK REVIEW
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BOOK REVIEW
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and...
Good has won every fairy-tale contest with Evil for centuries, but a dark sorcerer’s scheme to turn the tables comes to fruition in this ponderous closer.
Broadening conflict swirls around frenemies Agatha and Sophie as the latter joins rejuvenated School Master Rafal, who has dispatched an army of villains from Capt. Hook to various evil stepmothers to take stabs (literally) at changing the ends of their stories. Meanwhile, amid a general slaughter of dwarves and billy goats, Agatha and her rigid but educable true love, Tedros, flee for protection to the League of Thirteen. This turns out to be a company of geriatric versions of characters, from Hansel and Gretel (in wheelchairs) to fat and shrewish Cinderella, led by an enigmatic Merlin. As the tale moves slowly toward climactic battles and choices, Chainani further lightens the load by stuffing it with memes ranging from a magic ring that must be destroyed and a “maleficent” gown for Sophie to this oddly familiar line: “Of all the tales in all the kingdoms in all the Woods, you had to walk into mine.” Rafal’s plan turns out to be an attempt to prove that love can be twisted into an instrument of Evil. Though the proposition eventually founders on the twin rocks of true friendship and family ties, talk of “balance” in the aftermath at least promises to give Evil a fighting chance in future fairy tales. Bruno’s polished vignettes at each chapter’s head and elsewhere add sophisticated visual notes.
Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and flashes of hilarity. (Fantasy. 11-13)Pub Date: July 21, 2015
ISBN: 978-0-06-210495-3
Page Count: 672
Publisher: Harper/HarperCollins
Review Posted Online: June 25, 2015
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BOOK REVIEW
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