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HELLO BIRDS, WHAT DO YOU SAY?

From the Hello Animals series

Though many of these birds aren’t likely to be found in most North American backyards, it’s nevertheless a friendly...

A sequence of birds answer the titular question with their signature sounds, accompanied by impressionistic paintings.

This book is a Dutch import via Scotland, and its origins show in the lineup, as five of the 12 birds represented do not typically occur in North America (and at least two others, the starling and the sparrow, are invasive imports). Still, although most North American children may not recognize the bullfinch or the Eurasian coot, they will get a kick out of chiming in as their caregivers read “Pipe pipe” or “Kowp kowp,” respectively. Botman presents each bird on a single page, the features closest to viewers (usually feather details) quite distinct, while the edges blur into dappled, soft-focus backgrounds. There is a peculiar inconsistency to the presentation: While the blue tit and great tit are represented opposite each other as two distinct species, for instance, a mute swan, a mallard drake, and a herring gull are described only as “swan,” “duck,” and “gull.” Still, there’s no denying the illustrations are very attractive, and the predictable pattern and onomatopoeia (“Chatter chatter says the magpie. / Chook chook says the blackbird”) vigorously support pre-literacy skills.

Though many of these birds aren’t likely to be found in most North American backyards, it’s nevertheless a friendly introduction to birds and bird calls for children on this side of the pond. (Board book. 1-3)

Pub Date: Aug. 7, 2018

ISBN: 978-1-78250-488-7

Page Count: 12

Publisher: Floris

Review Posted Online: July 23, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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THE ABCS OF LOVE

Perfect for Valentine’s Day, but the syrupy sweetness will cloy after the holiday.

Animal parents declare their love for their offspring in alphabetical order.

Each page displays an enormous capital letter, one line of verse with the keyword capitalized, and a loving nonhuman parent gazing adoringly at their baby. “A is for Always. I always love you more. / B is for Butterfly kisses. It’s you that I adore.” While not named or labelled as such, the A is also for an alligator and its hatchling and B is for a butterfly and a butterfly child (not a caterpillar—biology is not the aim of this title) interacting in some way with the said letter. For E there are an elephant and a calf; U features a unicorn and foal; and X, keyed to the last letter of the animal’s name, corresponds to a fox and three pups. The final double-page spread shows all the featured creatures and their babies as the last line declares: “Baby, I love you from A to Z!” The verse is standard fare and appropriately sentimental. The art is cartoony-cute and populated by suitably loving critters on solid backgrounds. Hearts accent each scene, but the theme of the project is never in any doubt.

Perfect for Valentine’s Day, but the syrupy sweetness will cloy after the holiday. (Board book. 1-3)

Pub Date: Dec. 1, 2020

ISBN: 978-1-7282-2095-6

Page Count: 28

Publisher: Sourcebooks Wonderland

Review Posted Online: Jan. 26, 2021

Kirkus Reviews Issue: Feb. 15, 2021

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THE ITSY BITSY BUNNY

Leave the hopping to Peter Cottontail and sing the original song instead.

An Easter-themed board-book parody of the traditional nursery rhyme.

Unfortunately, this effort is just as sugary and uninspired as The Itsy Bitsy Snowman, offered by the same pair in 2015. A cheerful white bunny hops through a pastel world to distribute candy and treats for Easter but spills his baskets. A hedgehog, fox, mouse, and various birds come to the bunny’s rescue, retrieving the candy, helping to devise a distribution plan, and hiding the eggs. Then magically, they all fly off in a hot air balloon as the little animals in the village emerge to find the treats. Without any apparent purpose, the type changes color to highlight some words. For very young children every word is new, so highlighting “tiny tail” or “friends” makes no sense. Although the text is meant to be sung, the words don't quite fit the rhythm of the original song. Moreover, there are not clear motions to accompany the text; without the fingerplay movements, this book has none of the satisfying verve of the traditional version.

Leave the hopping to Peter Cottontail and sing the original song instead. (Board book. 1-3)

Pub Date: Jan. 5, 2016

ISBN: 978-1-4814-5621-0

Page Count: 16

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: July 1, 2016

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