by Lois Lowry ‧ RELEASE DATE: April 23, 1980
Autumn Street recaptured, in narrator Elizabeth's enveloping memory of the months when she, her sister, and her pregnant mother live with her Philadelphia grandparents while her father is off in the Pacific fighting World War II. Six-year-old Elizabeth is not cowed by the sedate, well-appointed home, or by her tight-lipped step-grandmother who has never lived with children; but she is more comfortable in the kitchen with wise Tatie—and with Tatie's fatherless grandchild Charles, Elizabeth's age, who seems to live a far more interesting life although on Autumn Street he's not allowed in the front of the house. Next door are the Hoffman twins, viewed through a haze of gossip and suspicion (their father, of German descent, disappeared at the beginning of the war; a spy?)—and through the backyard hedge, as Elizabeth and Charles see Noah kill a cat, abuse his pet duck, and torment his terrified, withdrawn brother Nathaniel. Elizabeth remembers Noah's dying of pneumonia, and the afternoon when she and Nathaniel, left to tend him while his mother goes for medicine ("Don't let him cry," she tells them), play noisily to drown out his cries. The neighborhood also has its demented derelict, a seemingly harmless fixture until, in the novel's terrible culmination, he slits Charles' throat in the dreaded woods at the end of Autumn Street: ". . . there was danger there, and we both know that, we could feel it in the snow and the silence, as small as we were." But Elizabeth is dizzy then with fever, Charles refuses to take her home, the children have just fought because some older boys upset Charles with a racial attack—and so she leaves him in the woods with the unknown danger. Noah's death earlier (and his perverse behavior), the loving, ample-bosomed black maid, the close but unequal black-white relationships, and the inevitable tragedy that Noah's death foreshadows—all give the story a touch of the ambience we associate with Southern fiction. Just once or twice, Lowry gives Elizabeth an egalitarian thought that would seem to be beyond her years. More often, she gives her a child's open sensitivity, a child's way of processing occurrences—her grandfather falls in the hall as the clock strikes; she is told next day that he had a stroke; and so she associates his illness with the clock, which she is sure is waiting to strike again—and a moving ability to recall an experience in its totality. At Thanksgiving dinner, having embarrassed her great-aunts with personal questions, Elizabeth is hauled off to the bathroom where her mother confirms that Grandfather once broke an engagement to Great-aunt Philippa. Elizabeth in turn confesses her love for Charles. "There was a kind of rapture, standing in the small, immaculate bathroom beside my mother, smelling her perfume, feeling the slippery, perfect oval of pale blue soap, and then the rough texture of the thick towel, talking about secret things.
Pub Date: April 23, 1980
ISBN: 0395278120
Page Count: 198
Publisher: Houghton Mifflin
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: April 1, 1980
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by J. Torres ; illustrated by David Namisato ‧ RELEASE DATE: Oct. 5, 2021
An emotional, much-needed historical graphic novel.
Sandy and his family, Japanese Canadians, experience hatred and incarceration during World War II.
Sandy Saito loves baseball, and the Vancouver Asahi ballplayers are his heroes. But when they lose in the 1941 semifinals, Sandy’s dad calls it a bad omen. Sure enough, in December 1941, Japan bombs Pearl Harbor in the U.S. The Canadian government begins to ban Japanese people from certain areas, moving them to “dormitories” and setting a curfew. Sandy wants to spend time with his father, but as a doctor, his dad is busy, often sneaking out past curfew to work. One night Papa is taken to “where he [is] needed most,” and the family is forced into an internment camp. Life at the camp isn’t easy, and even with some of the Asahi players playing ball there, it just isn’t the same. Trying to understand and find joy again, Sandy struggles with his new reality and relationship with his father. Based on the true experiences of Japanese Canadians and the Vancouver Asahi team, this graphic novel is a glimpse of how their lives were affected by WWII. The end is a bit abrupt, but it’s still an inspiring and sweet look at how baseball helped them through hardship. The illustrations are all in a sepia tone, giving it an antique look and conveying the emotions and struggles. None of the illustrations of their experiences are overly graphic, making it a good introduction to this upsetting topic for middle-grade readers.
An emotional, much-needed historical graphic novel. (afterword, further resources) (Graphic historical fiction. 9-12)Pub Date: Oct. 5, 2021
ISBN: 978-1-5253-0334-0
Page Count: 112
Publisher: Kids Can
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
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by J. Torres ; illustrated by Aurélie Grand
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by Lois Lowry ‧ RELEASE DATE: April 1, 1989
A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit...
The author of the Anastasia books as well as more serious fiction (Rabble Starkey, 1987) offers her first historical fiction—a story about the escape of the Jews from Denmark in 1943.
Five years younger than Lisa in Carol Matas' Lisa's War (1989), Annemarie Johansen has, at 10, known three years of Nazi occupation. Though ever cautious and fearful of the ubiquitous soldiers, she is largely unaware of the extent of the danger around her; the Resistance kept even its participants safer by telling them as little as possible, and Annemarie has never been told that her older sister Lise died in its service. When the Germans plan to round up the Jews, the Johansens take in Annemarie's friend, Ellen Rosen, and pretend she is their daughter; later, they travel to Uncle Hendrik's house on the coast, where the Rosens and other Jews are transported by fishing boat to Sweden. Apart from Lise's offstage death, there is little violence here; like Annemarie, the reader is protected from the full implications of events—but will be caught up in the suspense and menace of several encounters with soldiers and in Annemarie's courageous run as courier on the night of the escape. The book concludes with the Jews' return, after the war, to homes well kept for them by their neighbors.
A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit of riding alone in Copenhagen, but for their Jews. (Historical fiction. 9-12)Pub Date: April 1, 1989
ISBN: 0547577095
Page Count: 156
Publisher: Houghton Mifflin
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: March 15, 1989
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by Lois Lowry ; illustrated by Jonathan Stroh
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