MY PARENTS STILL LOVE ME EVEN THOUGH THEY’RE GETTING DIVORCED

Name: MY PARENTS STILL LOVE ME EVEN THOUGH THEY’RE GETTING DIVORCED
Author: Lois V. Nightingale
ISBN: 978-1-889755-01-4

by Lois V. Nightingale ‧ RELEASE DATE: N/A

A broad-minded and engaging activity book to help children work out their feelings.

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An interactive workbook designed to help kids deal with separation and divorce.

This volume from Nightingale (Building Resiliency, 2018) draws on her experience as a psychologist and family therapist. She offers a series of illustrated exercises that aim to help children of separation and divorce work through various aspects of chaotic events in their lives. They’re peppered with affirmations, such as “It’s okay to keep on loving both your parents” and “Do you know that crying can sometimes make grownups feel better, too?” It presents a kid-friendly frame story in which a beautiful mermaid and a strong knight fall in love and have four children: Constance, Arletta, Newton, and Spartacus. After a while, tensions grow when the mermaid wants to return to the sea and the knight wants to stay on land: “everything seemed to upset both of them, and they complained about each other,” Nightingale writes. The book offers a series of scenarios involving each child as they experience their parents’ split, and this narrative device allows the author to effectively explore different reactions, including withdrawal, moodiness, anger, and resentment. Each section offers discussion questions (such as “Newton wondered WHY about many parts of his parents’ divorce….What things have you wondered WHY about?”) and pages of exercises (such as “Draw a picture of something special at your mom’s house”). Nightingale’s experience and empathy make the book invaluable for parents who may have read adult books about divorce—including, possibly, the author’s own—but want a similar resource for their kids. The author’s decision to create four fictional children, instead of one, is wise, as well, as it increases the likelihood that a child will find someone relatable in these pages.

A broad-minded and engaging activity book to help children work out their feelings.

Pub Date: N/A

ISBN: 978-1-889755-01-4

Page Count: 128

Publisher: Nightingale Rose Publications

Review Posted Online: Sept. 3, 2019

Review Program: Kirkus Indie

Categories:

GENERAL NONFICTION

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.