by Lola M. Schaefer ; illustrated by Bethanne Andersen ‧ RELEASE DATE: Sept. 24, 2019
Serene yet enigmatic.
A lyrical testament to peace.
Nothing definitively marks this as a Christmas book, but readers may be cued to understand it as such due to the opening reference “to a star— / a new star, / barely visible, / yet larger than any before” that Bear spies “early one December morning.” This star signals that “it was time,” though for what remains a mystery until the book’s end. First Bear searches for “a tree— / a tree that would be strong, / a tree that would be tall, / a tree that would be the center / of all to come.” An ideal evergreen appears, again evoking Christmas, but with subtlety. The text and the oil paintings, which have a soft visual texture, then combine to depict a peaceable kingdom of animals from different habitats gathering around the tree before diverse people assemble, too. Ultimately, they come “to the tree / … / under a star / … / because it was time…” and then a final page turn delivers the concluding words, “for peace.” The accompanying illustration shows a woman with light-brown skin and black, straight hair holding a swaddled baby as she gazes up at the star. The scene evokes Madonna-and-child imagery, but it resists such an easy parallel with the inclusion of other figures: Behind the pair stands a child with similar coloring, before them a fawn, and cardinals fly through the snowy, starlit sky.
Serene yet enigmatic. (Picture book. 4-7)Pub Date: Sept. 24, 2019
ISBN: 978-0-06-266037-4
Page Count: 40
Publisher: Greenwillow Books
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Jim Valeri
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by Meg Medina ; illustrated by Angela Dominguez ‧ RELEASE DATE: Aug. 25, 2015
This warm family story is a splendid showcase for the combined talents of Medina, a Pura Belpré award winner, and Dominguez,...
Abuela is coming to stay with Mia and her parents. But how will they communicate if Mia speaks little Spanish and Abuela, little English? Could it be that a parrot named Mango is the solution?
The measured, evocative text describes how Mia’s español is not good enough to tell Abuela the things a grandmother should know. And Abuela’s English is too poquito to tell Mia all the stories a granddaughter wants to hear. Mia sets out to teach her Abuela English. A red feather Abuela has brought with her to remind her of a wild parrot that roosted in her mango trees back home gives Mia an idea. She and her mother buy a parrot they name Mango. And as Abuela and Mia teach Mango, and each other, to speak both Spanish and English, their “mouths [fill] with things to say.” The accompanying illustrations are charmingly executed in ink, gouache, and marker, “with a sprinkling of digital magic.” They depict a cheery urban neighborhood and a comfortable, small apartment. Readers from multigenerational immigrant families will recognize the all-too-familiar language barrier. They will also cheer for the warm and loving relationship between Abuela and Mia, which is evident in both text and illustrations even as the characters struggle to understand each other. A Spanish-language edition, Mango, Abuela, y yo, gracefully translated by Teresa Mlawer, publishes simultaneously.
This warm family story is a splendid showcase for the combined talents of Medina, a Pura Belpré award winner, and Dominguez, an honoree. (Picture book. 4-7)Pub Date: Aug. 25, 2015
ISBN: 978-0-7636-6900-3
Page Count: 32
Publisher: Candlewick
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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by Meg Medina ; adapted by Mel Valentine Vargas ; illustrated by Mel Valentine Vargas ; color by Mary Lee Fenner
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