A thoroughly addictive collection.
A bounty of tasty literary morsels—acerbic, whimsical, incisive and moving—spills from this anthology of short pieces culled from the online magazine Review of Arts, Literature, Philosophy and Humanities.
RALPH, descended from the much-praised Fessenden Review, is known for lively, opinionated book reviews that aren’t afraid to draw blood. An impressive selection is included here, including Lark’s barbed dismissal of Laura Esquivel’s Malinche (2006) (“the language heats up and runs off the page and falls into the toilet”) and Carlos Amantea’s revisionist attack—who hasn’t longed for one?—on James Joyce: “My own reading of Ulysses is that there are probably 300,000 words too many.” There’s also a generous helping of poetry, from Garcia-Lorca—accompanied by a winsome account of an English class entranced by the idea that he had an Afro—to Joseph Brodsky, Quan Berry and Sharon Olds. There are short stories, including Joyce Cary’s droll vignette on the class war between artists and rich dilettantes. And there’s a wide-ranging miscellany of nonfiction feuilletons, some original and some reprinted: Javier Marias’ evocative biographical sketch of William Faulkner; a snippet of food memoir by M.F.K. Fisher; L.W. Milam’s celebration of student diaries as literature; S.W. Wentworth’s atmospheric tribute to Mississippi Delta juke joints; a raft of light think pieces on humanistic design and urbanism à la Jane Jacobs; an interview with S.J. Perelman on the horrors of Hollywood; excerpts from Werner Herzog’s diary on the ghastlier horrors of the Amazon; a funny take on the similarities between academics and house cats; and grave speculation on the extraterrestrial origins of Bach. Sometimes, as in R.R. Doister’s Freudian-pacifist reading of a volume of letters from a West Point cadet, contentiousness tips over into heavy-handed polemic. Still, almost every page crackles with sharp writing and offhand—occasionally off-kilter—insights that will fascinate readers.
A thoroughly addictive collection.Pub Date: Jan. 5, 2013
ISBN: N/A
Page Count: 513
Publisher: MHO & MHO Works
Review Posted Online: May 22, 2014
Kirkus Reviews Issue: June 15, 2014
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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