Themes of love, loss, and humor merge in Busch’s collection of short stories.
In “The Fate of Ecstasy,” the town of Ecstasy decides to capitalize on the fact they have more flat tires per capita than any other city in America. Ecstasy becomes a tourist attraction, inviting people to “beat the odds”; it’s a humorous and wild tale that sets the stage for the stories that follow. Ranging from outrageous scenarios to more subtle explorations, every story feels relatable. “Alley Fighter” follows Kevin Markinson two months into his marriage as his wife Phyllis starts pulling pranks on him; Phyllis and her brother, who died three years prior, were fond of practical jokes. “He probably died thinking I planned his accident somehow,” she says. Kevin isn’t interested in pranks himself, but he plays along until Phyllis goes more and more out of control. Busch excels at exploring that out-of-control feeling; “White Bull” offers a tender look at a character named Sheila as she struggles with her affection for her husband Walter, who suffers from mild psychosis and transforms into his “other” self who does nothing all day but ponder random questions (“‘A man’s nose and ears keep growing until he dies,’ Walter said. ‘What purpose could that possibly serve? Isn’t that peculiar, Sheila?’”). “Princess of Hub Cap City” tells the story of a young girl dancing across old cars in the junkyard whose owner is the only person who can’t see her, and “Calling From the Moon” explores the complicated relationship between August and his son Julian after August’s wife (who often “gets confused”) goes missing. There’s no shortage of emotions throughout the collection—Busch knows exactly which buttons to press to evoke feelings, and the characters, no matter the situation, feel raw and real.
A well-written and engaging collection with a lot of heart.