Chilton’s historical novel imagines the harrowing tale of three Virginian Patawomeck women who survived the 1666 massacre of the men of their tribe and were sold into slavery.
The small Native American Patawomeck tribe make their home in northern Virginia, near the Chesapeake. In 1666, frustrated with the tribe’s refusal to sell their land or accept the Virginia Governor’s Council’s choice for a new chief, the council chooses to respond with violence. On one summer night of that year, the Virginia militia enter the Patawomeck territory carrying their “thunder sticks” and savagely shoot every adult male in the village. They seize babies and corral the women, who are placed on a ship and sold into slavery in Barbados. Among these women are Ah’SaWei (Golden Fawn), a young mother, and her close friend, NePa’WeXo (Shining Moon). Once in Barbados, Ah’SaWei, her mother, and her daughter are sold to the Mount Faith Manor Plantation, owned by master Russell White, a Quaker. They are luckier than Xo and her daughter, who are purchased by the vicious, sexually avaricious master James Lewis of the Sugar Grove Plantation. In alternating chapters, Ah’SaWei, whose name is changed to Rebecca, and Xo, renamed Leah, narrate their tales of struggle and survival—on the ship, on the plantations, and after their triumphant return to the colonies in 1669. Packed with Indigenous culture and customs and sprinkled with tribal terminology, the narrative is vivid, magnetic, and chilling. The author is herself a Patawomeck descendant, and she’s combined scant available written records with tribal oral history to inform her creation of two emotionally powerful, vibrant female protagonists. Mixed in with the tragedies that befall these women are humorous moments, such as their descriptions of the English men: “They rarely bathe, their breath and teeth repulsive. They are hairy and filthy; they cover themselves with woven layers, fetid with sweat and dirt.” Several sections move languidly, but plenty of action, tears, cheers, and historical detail work to keep the pages turning.
A disturbing, absorbing, and valuable addition to the literature of cruelty inflicted upon Indigenous peoples.