A technocratic fantasy of an ideal, AI-assisted world that’s playful, meditative, and poignant, by turns.
An 82-year-old man awakens from “hibernation” to a world governed primarily by an artificial intelligence named Gaïa in Ravasco’s philosophical SF novel about death, technology, and immortality.
Shortly after Leandro Andore began his hibernation (roughly around our present time), AI surpassed human abilities of reasoning and decision-making, and humans gradually ceded authority to Gaïa. After Leandro wakes up, 132 years in the future, his mind is transferred to a 3D-printed body with an embedded, personal AI, which he names Aliana. Aliana guides Leandro around his new world, in which AI has eliminated the need for work, mood-altering substances, and human conflict in general. People spend their days in blissful leisure, making art, enjoying synthetic but delicious food, and having adventures facilitated by highly personalized technology. To some people, this would seem like a utopia, but Leandro has left behind the virtual world of his hibernation—a paradisiacal island that he designed himself, where he lived with avatars of his wife, son, and cats. The tension between the two worlds is further complicated by brief conversations that open each chapter, which suggest that Leandro is being manipulated by an unknown figure. The last act of Ravasco’s novel boasts a couple well-earned plot twists. However, overall, the plotting is rather slow and mostly consists of the protagonist having new experiences that inspire reflections on the 21st century. If a reader isn’t interested in such lengthy excursions, then they may feel the novel drags at times, but others may find it fun and affecting. Leandro is portrayed as an enthusiastic advocate for AI, and the novel mostly explores his perspective on a range of complex issues without admitting AI alternatives. As the author’s note indicates, even the novel itself heavily relies on AI—both for generating the whimsical art at the beginning of each chapter and for the English translation of the text from the French language.
A technocratic fantasy of an ideal, AI-assisted world that’s playful, meditative, and poignant, by turns.Pub Date: Nov. 26, 2024
ISBN: 9789083471402
Page Count: 239
Publisher: Self
Review Posted Online: Nov. 29, 2024
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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