An intimate and accurate picture of a natural cycle.
A mother pin oak calls on the help of forest creatures and even fungi in the soil to wake her leafy offspring after a long winter’s sleep.
At Mother Pin’s request, Red Squirrel asks Vole to loosen the ground by digging tunnels and enlists Porcupine to poop out a “nutritious breakfast” at Little Pin’s base. Mother Pin also asks the underground filaments of fungal mycelia to send some of her own nourishing sugars to the seedling’s roots. Anthropomorphic though all this might seem, the word choices reflect a concept that the author explains in her afterword—that forests are a responsive, interdependent “Wood Wide Web” in which trees do communicate and really may recognize and care for saplings. In her graceful watercolors, Ferrer sticks to naturalistically rendered flora and fauna in depicting a seasonal transition; woodland frogs leap into freshets of snowmelt, birds perch on budding branches, mushrooms sprout in profusion, and the sunlight takes on a green cast as days pass and Little Pin slowly leafs out to fullness. Taking a bit of forgivable poetic license, Garbutt concludes that “the two trees…felt happy to be part of their forest family.” Though this tale centers on an awakening, the peaceful, idyllic tone makes it an apt candidate for bedtime sharing, too.
An intimate and accurate picture of a natural cycle. (further reading) (Informational picture book. 6-8)Pub Date: March 12, 2024
ISBN: 9781771475600
Page Count: 32
Publisher: Owlkids Books
Review Posted Online: Jan. 20, 2024
Kirkus Reviews Issue: Feb. 15, 2024
“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so...
A pro bono Twinkie of a book invites readers to fly off in a magic plane to bring clean water to our planet’s oceans, deserts, and brown children.
Following a confusingly phrased suggestion beneath a soft-focus world map to “touch the Earth. Now touch where you live,” a shake of the volume transforms it into a plane with eyes and feathered wings that flies with the press of a flat, gray “button” painted onto the page. Pressing like buttons along the journey releases a gush of fresh water from the ground—and later, illogically, provides a filtration device that changes water “from yucky to clean”—for thirsty groups of smiling, brown-skinned people. At other stops, a tap on the button will “help irrigate the desert,” and touching floating bottles and other debris in the ocean supposedly makes it all disappear so the fish can return. The 20 children Coh places on a globe toward the end are varied of skin tone, but three of the four young saviors she plants in the flier’s cockpit as audience stand-ins are white. The closing poem isn’t so openly parochial, though it seldom rises above vague feel-good sentiments: “Love the Earth, the moon and sun. / All the children can be one.”
“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so easy to clean the place up and give everyone a drink? (Picture book. 6-8)Pub Date: April 11, 2017
ISBN: 978-1-5107-2083-1
Page Count: 40
Publisher: Sky Pony Press
Review Posted Online: Feb. 3, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK REVIEW
Readers (and listeners) will think that this book is the bee’s knees.
Children will be buzzing to learn more about honeybees after reading this story.
Hall takes her readers on a sunny romp through a springtime pasture abuzz with friendly honeybees in this bright and cheerful picture book. Hall’s rhyme scheme is inviting and mirrors the staccato sounds of a bee buzzing. At times, however, meaning seems to take a back seat to the rhyme. The bees are suggested to “tap” while flying, a noise that adult readers might have trouble explaining to curious listeners. Later, the “hill” the bees return to may elicit further questions, as this point is not addressed textually or visually. Minor quibbles aside, the vocabulary is on-point as the bees demonstrate the various stages of nectar collection and honey creation. Arsenault’s illustrations, a combination of ink, gouache, graphite, and colored pencil, are energetic and cheerful. Extra points should be awarded for properly illustrating a natural honeybee hive (as opposed to the often depicted wasp nest). The expressive bees are also well-done. Their faces are welcoming, but their sharp noses hint at the stingers that may be lurking behind them. Hall’s ending note to readers will be appreciated by adults but will require their interpretation to be accessible to children. A sensible choice for read-alouds and STEAM programs.
Readers (and listeners) will think that this book is the bee’s knees. (Picture book. 6-8)Pub Date: May 8, 2018
ISBN: 978-1-4814-6997-5
Page Count: 48
Publisher: Atheneum
Review Posted Online: March 17, 2018
Kirkus Reviews Issue: April 1, 2018
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