A disturbing but insightful look at the brave new reproductive world that is dawning. Anyone assuming civilization isn’t poised at an important crossroads will think otherwise after reading this book. Andrews (Black Power, White Blood, 1996), director of the Institute for Science, Law, and Technology at the Illinois Institute of Technology, has been involved in just about every legal and ethical debate surrounding the murky, evolving world of reproductive technology since the first test tube baby was born—on the day Andrews passed her bar exam, by the way—and she knows it’s complicated territory. She offers insights on cloning, in vitro fertilization, selling sperm and eggs, and selective genetics, in which parents can decide which babies to carry full-term. At one point Andrews poses as a woman interested in choosing sperm from a Nobel-winning scientist via Robert Klark Graham’s Repository for Germinal Choice. Graham believes that a putative general decline in intelligence could be stemmed if the “more able” simply had more babies. Minor glitch: Andrews is single, and Graham’s services are limited to married women. “I need your legal skills,” he tells her. “Come up with a rule where I can give sperm to you, but not have to give it to an unmarried black woman.” In the same chapter Andrews notes the lack of public health regulations stipulating how sperm must be stored. Remarks one California lawyer about Graham’s operation: “If I wanted to open a sperm bank in the deli next to the pastrami, there would be nothing to stop me.” This scary scenario only grows more plausible as Andrews demonstrates that reproductive law and funding are governed more by political expediency than rational thought. Remarkably free of techno-jargon, this fascinating premillennium primer cautions readers about the many legal and ethical potholes awaiting those who venture into such uncharted territory.
Pub Date: May 1, 1999
ISBN: 0-8050-6080-4
Page Count: 272
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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