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LAKE COUNTY

A nightmarish Southern noir in which everyone pays a price.

In this odd reimagining of the Marilyn Monroe/Norma Jeane Baker story, small-town Florida teen Addie’s dream of visiting Hollywood for her 18th birthday with Aunt Jean, her mother’s best friend, is shattered by violence.

Aunt Jean, as she does with some regularity, has traveled to the (fictional) town of Hockta to “[claw] her way back to normal” in her friend’s care after one of her downward slides. A major part of her problem is Siebert Rix, the nasty, obsessed photographer she has known since childhood who has followed her from Los Angeles and demanded she return there with him. The plot breaks down into three components: Rix’s twisted pursuit of Marilyn/Jean, who drifts in and out of different personalities in trying to protect Addie and her family; the Tampa mafia’s pursuit of Addie’s impetuous boyfriend, Truitt, after he accidentally kills the nephew of the mob boss; and the local sheriff’s determined efforts to protect Truitt and his mother, whose no-good husband was gunned down by the mob. Dead bodies litter the landscape, including that of a female store clerk who spends most of the novel in the trunk of Rix’s car and, propped up in Addie’s living room, a deluded local man who thought the movie star was going to marry him. Ultimately, Marilyn/Jean isn’t the only one good at playing roles. Addie finds herself playing the part of someone strong enough to help her mother. In a fit of rage, her father “turned into someone none of us had ever seen.” The Marilyn/Jean switches don’t always make sense and ultimately the plot strands are tied up too neatly. But Roy keeps things taut and tense throughout, springing surprises and making all her characters count.

A nightmarish Southern noir in which everyone pays a price.

Pub Date: June 25, 2024

ISBN: 9781662519932

Page Count: 316

Publisher: Thomas & Mercer

Review Posted Online: April 5, 2024

Kirkus Reviews Issue: May 1, 2024

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE FINAL SCORE

Gritty little gems.

A collection of six short stories about crimes both planned and accidental, the collision of dreams and reality, and the things people do for love.

John Highland, for example, faces a lifetime in prison. But if he can do one “Final Score” before turning himself in, at least he can set up his beloved wife for the rest of her days. His plan is impossible to pull off, which is even more reason to do it—a brilliant finale to his criminal career. Another tale takes the reader to Rhode Island, where liquor sales are banned on Sundays. One liquor store maintains a secret “Sunday List” of thirsty patrons and their liquid requirements to get them through the Lord’s Day. Some stories are more serious—a drunk kid kills a young woman in a DUI and is headed to prison. But the kid’s cousin, a cop, worries he may not survive long in the general population. If only the kid could get assigned to the “North Wing,” where a mob boss prisoner protects its inmates. “True Story” is sharp, funny, and one hundred percent dialogue. Guys swap wacky crime stories in a diner. A sample: “Listen—Angela, for all her fine qualities, was no Rose Scholar, either.” But then in “The Lunch Break,” Dave is hired to watch over the spoiled actress Brittany McVeigh and make sure she shows up on set sober and on time. She is only 5-foot-3, but “bad things come in small packages” and she’s a “drunken, drug-addled, promiscuous little diva” who claims she’s being stalked. In the final tale, “Collision,” life is darn near perfect for an upwardly mobile white family of three. Brad McAlister is a highly talented hotel manager. Upper management invites him and his wife to a fancy restaurant and offers him his dream promotion. But in a squeal of tires in the parking lot, their lives change forever. Will the McAlisters’ deep love for each other survive? Each of these stories has clever plotting and sharp dialogue, a hallmark of all the author’s work. Winslow had previously announced his retirement, but maybe that collided with his love of writing.

Gritty little gems.

Pub Date: Jan. 27, 2026

ISBN: 9780063450424

Page Count: 304

Publisher: Morrow/HarperCollins

Review Posted Online: July 3, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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