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SUMMER IN THE CITY

A steamy trio of rom-com stories that is best savored slowly.

When a summer heat wave in New York City causes an extended blackout, three friends each find herself stuck with the last person she anticipated.

Best friends Ria Preston, Vanessa Ríos, and Alison Cahill have a plan: They'll beat the heat by fleeing the city for a much-needed girls trip. All they have to do is make it through the next few hours of their respective evenings. Art restorer Ria is attending a benefit at the Met, theater critic Vanessa is taking a front-row seat at a Broadway play, and Alison has a scheme to throw a wrench or two into an aspiring magician's act. But there are unforeseen complications to events that would otherwise go off without a hitch, including the plot twist of a sudden blackout that rolls through Manhattan and leaves them each stranded with an unexpected party. For Ria, it's the chance to finally get to know her longtime crush, Wall Street consultant Vic Albright, the man she's always admired from a distance but has been too shy to approach. Vanessa is forced to confront someone from her past—actor Mateo Garza—whose career faltered after she gave his last play a bad review. And Alison's connection to magician Nicholas Finn runs much deeper than the rest of his audience realizes—years ago, in college, he broke her heart, and she's never fully moved on. The conceit of a blackout offers a delicious forced-proximity element to each novella, although the friendship throughline is somewhat weakened by taking place through only a handful of text-based interactions. Ultimately, the romance is where these stories truly ignite, with varying levels of angst and heat.

A steamy trio of rom-com stories that is best savored slowly.

Pub Date: May 25, 2021

ISBN: 978-1-4967-3267-5

Page Count: 320

Publisher: Kensington

Review Posted Online: March 2, 2021

Kirkus Reviews Issue: March 15, 2021

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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THE HURRICANE WARS

Slow and plodding.

A young woman with a magical ability to harness light discovers she is royalty.

Talasyn is a foot soldier for her homeland of Sardovia, which has been under attack for the past decade by the powerful and evil Night Empire, a conflict known as the Hurricane Wars. Talasyn is an orphan with no knowledge of her family, but she assumes they might be the source of her rare, magical Lightweaving talent. During a battle with the forces of the Night Empire, Talasyn spars with Prince Alaric, a fierce warrior who is the son and heir to the Night Emperor. Talasyn is sent on a covert mission into Nenavar, a nearby matriarchy that has remained neutral during the Hurricane Wars, to try to access a Light Sever which could hone and refine her magic. Instead, she discovers she is the heir to their royal throne; she and her mother, now presumed dead, disappeared under mysterious circumstances when she was a year old. Alaric follows her into Nenavar, and they discover his magical ability to cast darkness and shadows produces shocking results when mixed with her Lightweaving. A few weeks later, the Night Empire defeats Sardovia and ends the Hurricane Wars, and the novel transitions to a tedious, slow-moving story of court intrigue and diplomacy. A group of Sardovian soldiers and refugees seek asylum in Nenavar, but Talasyn’s grandmother agrees to protect them only if Talasyn agrees to join the royal court and marry Alaric. The politics surrounding the impending wedding is the primary plot for the rest of the novel, and it’s a slog. The glacially slow pacing only serves to highlight the confusing world building and underdeveloped characters. It’s unclear why Alaric and Talasyn are attracted to each other, and their tentative romance is just as stuck in a rut as the plot.

Slow and plodding.

Pub Date: Oct. 3, 2023

ISBN: 9780063277274

Page Count: 480

Publisher: Harper Voyager

Review Posted Online: July 26, 2023

Kirkus Reviews Issue: Aug. 15, 2023

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