Overlong trek over familiar ground.
Five friends and three decades, as Landvik (Welcome to the Great Mysterious, 2000, etc.) returns to small-town Minnesota.
Little Women, anyone? Alcott’s females are an inspiration for the Freesia Court Book Club members, though there are two contenders for the role of rambunctious Jo and none for meek Beth. Gathering at the Minneapolis hospital where one of the five is undergoing treatment for cancer, they remember the dreary, endless winter they first got together, back when their kids were young and they all lived on the same tree-lined street. Mopping up baby food and stroking the egos of their self-involved husbands just didn’t seem all that fulfilling. Gee-whiz, what a surprise. But love and laughter—and friends and family—carried them through the chaotic years that changed a nation in so many ways . . . . Similar platitudes and preaching undermine the weak structure of this baggy tale and its multiple points of view, chapters linked by popular books of the time. The five friends, beginning in the late ’60s, are introduced one by one. Audrey Forrest is happy with her lush curves but her husband Paul thinks she’s fat. Angelically beautiful Merit Iverson smokes like a chimney, despite her doctor husband’s disapproval. Scrappy Faith Owens is sick and tired of husband Wade’s smugness, not to mention packing his suitcases (he’s an airline pilot). Kari Nelson, a gentle young widow, grieves over her husband Bjorn’s untimely death and their infertility. Slip McMahon is an ultrafit jockette, happily married to a research meteorologist, and just loves the freaky Minnesota weather. As time goes by, Audrey gets a divorce and finds new friends (two gay men); Merit ditches the abusive and dominating doctor; Faith comes to terms with her mixed feelings about her long-lost mother; Kari adopts a mixed-race child; Slip becomes a social worker. The world changes but all remain tight, all the way to menopause and telltale gray hairs.
Overlong trek over familiar ground.Pub Date: March 1, 2003
ISBN: 0-345-43882-5
Page Count: 416
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2003
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Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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BOOK REVIEW
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