Warmhearted (if a bit uneven) tale of a sensitive man’s journey through life.
A pleasing character study following the life of Joe Andreson, from his misadventures in high school to reflective middle age.
Although Joe narrates his tale, it is a story dominated by women, from his kind-hearted, widowed mother and his sophisticated lesbian aunt Beth (the three live together, gathering around the piano to sing show tunes) to the two young women who shape his adult life—Kristi Casey and Darva Pratt. In high school, Kristi is the golden girl—head cheerleader, honor student, feared and revered by all who come in contact with her ferocious smile. At turns cruel and alluring, Kristi takes a shine to Joe and the two have trysts in the AV room, a secret kept from Kristi’s boyfriend. Joe even keeps it from his best friend Darva, a gifted artist and bourgeoning bohemian with plans to escape 1970s Minneapolis for Paris. Darva does go to Paris, while Joe goes to college on a hockey scholarship. Kristi and Joe meet from time to time in rural motels, but their relationship is little more than a strange mix of Kristi’s confessions and impersonal sex. After graduation Kristi disappears, Joe inherits a grocery store and Darva returns from Europe, with tiny Flora in her arms. Though they maintain a platonic relationship, Darva and Joe live together and raise Flora, as Joe makes a success out of the market, thanks to his idiosyncratic approach to business. Meanwhile, Kristi reappears on the air as a right-wing evangelist doling out moral platitudes to her radio listeners. Joe and company are shocked by Kristi’s new persona, and yet the girl most likely to succeed at any cost still has a few surprises left for the folks back home. Most of Joe’s story is a real charmer—the questioning, sex-obsessed teen, the slightly lost 30 year old—but as the story creeps past middle age, Landvik (Angry Housewives Eating Bon Bons, 2003, etc.) seems to tire, and the narrative wraps up with the expected closing events.
Warmhearted (if a bit uneven) tale of a sensitive man’s journey through life.Pub Date: Sept. 1, 2007
ISBN: 978-0-345-46837-6
Page Count: 368
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2007
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Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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