This expansive, exquisite collection cements Moore’s standing as one of the greatest short story writers of our time.
Forty superb stories by one of America’s most beloved (and best) fiction writers.
Moore is a short story superstar, a wily wordsmith, an extraordinary empath. In a few short pages—sometimes in just a few words—she is able to evoke essentially everything about the characters she conjures: the early disappointments that have shaped them, the hunger for connection that propels them, the quippy wordplay that protects them, the ways they hold themselves back or get in their own ways. That makes this vast yet intimate collection of 40 stories drawn from Moore’s decades of exceptional work—many originally published in her collections Self Help(1985), Like Life(1990), Birds of America(1998), and Bark(2014) and others extracted from her novels—something to savor, whether you are rereading old favorites or enjoying Moore’s deeply affecting blend of humor and heartache for the first time. In stories such as “The Jewish Hunter,” about a New York poet visiting the Midwest who finds and then leaves a man she might have loved; “Four Calling Birds, Three French Hens,” about a woman whose grief for her cat separates her from and then returns her to her family; and “Two Boys,” about a woman who craves the attention of an inconstant man more than the man who’s true, among others, Moore’s characters exist in a tremulous zone between hope and despair, boredom and excitement, fear and bravery, connection and detachment, belonging and displacement. And while the humans who populate Moore’s stories—presented in alphabetical (by title) rather than chronological order, “like a playlist set to shuffle,” the author writes—differ in age, life stage, gender, sexual orientation, location, and situation, all share a familiar humanity apt to resonate with readers. Moore’s stories have a way of burrowing into the head and the heart and taking up residence there, reverberating like a startled laugh or a stifled sob.
This expansive, exquisite collection cements Moore’s standing as one of the greatest short story writers of our time.Pub Date: March 3, 2020
ISBN: 978-0-375-71238-8
Page Count: 776
Publisher: Everyman’s Library
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: March 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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