Ridiculous coincidence aside, this Danish sleeping pill proves thin on story.
Scandinavian noir crime fiction continues to pile up the body count in this latest by the Danish Hammer siblings.
In Copenhagen, Detective Superintendent Konrad Simonsen has returned to his position as head of the Homicide Squad after time off for a massive heart attack. He’s mending nicely but miffed: in his absence, second-in-command Arne Pedersen has taken over, and Simonsen’s on limited duty. But his first day back, a school shooting involving a boy who kills two teachers with a submachine gun and holds his classmates hostage has the Homicide Squad out trying to diffuse the situation. And that’s not all: Simonsen is also asked to look into the death of a man who was found at the bottom of his own staircase six months earlier. Although initially ruled as an accident, someone higher up wants it confirmed, and, for Simonsen, the case means a walk through the tumultuous 1960s, when the elderly detective was a young police officer. Meanwhile, the two cases improbably link up, Simonsen decides to smoke marijuana for the first time in his life, and the book wanders from clue to clue like a drunk stumbling along a sidewalk hoping each doorknob he turns will be his own. Overly long and complicated, with plot twists that lead absolutely nowhere, this novel appears to be an excuse to take Simonsen on a nostalgic trip back to his younger days of policing. Simonsen’s investigators turn over every rock in their painstaking but often dull examination of both evidence and circumstance, and the authors never fail to describe, in detail, every move the police make, even the ones that ultimately mean nothing. With stilted writing that could charitably be partially attributed to the translation and at least one prominent error relating to the submachine gun, this story’s a massive snoozer.
Ridiculous coincidence aside, this Danish sleeping pill proves thin on story.Pub Date: Sept. 20, 2016
ISBN: 978-1-63286-485-7
Page Count: 448
Publisher: Bloomsbury
Review Posted Online: June 29, 2016
Kirkus Reviews Issue: July 15, 2016
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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