A credible approximation of a 19th-century diary that deftly blends history and horror.
A perilous 19th-century voyage to the wilds of Alaska awakens a subterranean terror.
This lively work of historical horror opens in 1866 when President Andrew Johnson assigns Interior Department Field Director Jack Calsin to survey the Alaskan territory that the U.S. is about to purchase from Russia. Johnson hopes it will bolster his chances in the upcoming election if the survey finds evidence of gold and other valuable resources. In Jack’s first-person account, trouble begins when one of the ship’s main boilers explodes, killing crew members. From then on, the catastrophes mount—fatal illnesses, a destructive storm, and a disastrous landing on Alaska’s coast. Even as Jack is given a brief respite to marvel at the abundant wildlife, plentiful ore deposits, and rugged beauty of the surroundings, the author ups the suspense with the threat of something deadly looming. “A creature,” says a tribal shaman, “who hunts during the anger of the big wind and frozen water!” (Although short at 80 pages, the 19th-century setting of this illustrated tale and the wonders and terrors Jack observes during his ill-fated trip are reminiscent of the Jules Verne 1871 classic, Journey to the Center of the Earth.) Marich knowledgeably weaves the historical into the fantastical with references to Johnson’s role in the fraught post–Reconstruction Era, the bitterness of the ship’s crew (comprised of former Union soldiers) over Johnson’s leniency toward the Southern rebels, and the torment of the ship’s doctor, haunted by graphic memories of the dead and maimed on the Civil War battlefields. Touched upon here, too, is a sense of what life was like onboard a three-masted ship with coal-burning boilers. Scattered throughout are full-page illustrations of some of the story’s dramatic scenes roughly executed by the author in what appears to be charcoal, sepia, and colored pencil. A sequel is planned.
A credible approximation of a 19th-century diary that deftly blends history and horror.Pub Date: April 25, 2022
ISBN: 9780965449151
Page Count: 80
Publisher: Marlet House Productions
Review Posted Online: May 17, 2023
Kirkus Reviews Issue: July 15, 2023
Review Program: Kirkus Indie
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
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