developed by Loud Crow Interactive ‧ RELEASE DATE: July 17, 2014
A cozy, humorous change of pace from previous (mildly) scary encounters.
More creatures from First Nations folklore greet young Thomas and Lily on their third visit to their grandparents’ cabin in the Canadian Rockies (The Story of Kalkalilh, 2013, etc.).
The story follows an elaborately produced set of dissolves that take the children from city to forest. While her Mooshum and Kookum are out catching salmon, Lily meets a strange, noseless little man who capers about the kitchen, spills Kookum’s flour and disappears. Then, trying to gather soapberries for ice cream, Thomas is pelted with berries. But when Lily trips over a root, two of the little people step from the bushes to patch her ankle, and later the children find full buckets of berries waiting for them on the cabin steps. These were Maymaygwaysiwak, Kookum later explains, mischievous but also sometimes-helpful imps who dwell underground. In the cartoon illustrations, dolllike figures bob and giggle when tapped. Swiping a ribbon at the bottom changes the scene and the simply phrased narrative. The visible text and optional audio can be set to any of four languages, including Cree, on a menu that also includes a thumbnail index. Tapping the occasional red word opens a window containing the Cree equivalent (voiced, though sometimes the narrator pronounces a different word) and a note about characters or cultural practices and artifacts.
A cozy, humorous change of pace from previous (mildly) scary encounters. (Requires iOS 6 and above.) (iPad folk-tale app. 6-9)Pub Date: July 17, 2014
ISBN: N/A
Page Count: -
Publisher: Loud Crow Interactive
Review Posted Online: Aug. 24, 2014
Kirkus Reviews Issue: Sept. 15, 2014
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developed by Loud Crow Interactive ; Rival Schools Digital Agency
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by Charles M. Schulz ; illustrated by Charles M. Schulz ; developed by Loud Crow Interactive
by Dav Pilkey ; illustrated by Dav Pilkey ; color by Jose Garibaldi ‧ RELEASE DATE: Aug. 30, 2016
What a wag.
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New York Times Bestseller
IndieBound Bestseller
What do you get from sewing the head of a smart dog onto the body of a tough police officer? A new superhero from the incorrigible creator of Captain Underpants.
Finding a stack of old Dog Mancomics that got them in trouble back in first grade, George and Harold decide to craft a set of new(ish) adventures with (more or less) improved art and spelling. These begin with an origin tale (“A Hero Is Unleashed”), go on to a fiendish attempt to replace the chief of police with a “Robo Chief” and then a temporarily successful scheme to make everyone stupid by erasing all the words from every book (“Book ’Em, Dog Man”), and finish off with a sort of attempted alien invasion evocatively titled “Weenie Wars: The Franks Awaken.” In each, Dog Man squares off against baddies (including superinventor/archnemesis Petey the cat) and saves the day with a clever notion. With occasional pauses for Flip-O-Rama featurettes, the tales are all framed in brightly colored sequential panels with hand-lettered dialogue (“How do you feel, old friend?” “Ruff!”) and narrative. The figures are studiously diverse, with police officers of both genders on view and George, the chief, and several other members of the supporting cast colored in various shades of brown. Pilkey closes as customary with drawing exercises, plus a promise that the canine crusader will be further unleashed in a sequel.
What a wag. (Graphic fantasy. 7-9)Pub Date: Aug. 30, 2016
ISBN: 978-0-545-58160-8
Page Count: 240
Publisher: Graphix/Scholastic
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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by Dav Pilkey ; illustrated by Dav Pilkey color by Jose Garibaldi & Wes Dzioba
by Dav Pilkey ; illustrated by Dav Pilkey ; color by Jose Garibaldi & Wes Dzioba
by Dav Pilkey ; illustrated by Dav Pilkey ; color by Jose Garibaldi
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by Dav Pilkey ; illustrated by Dav Pilkey color by Jose Garibaldi & Wes Dzioba
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by Dav Pilkey ; illustrated by Dav Pilkey ; color by Jose Garibaldi & Wes Dzioba
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by Dav Pilkey ; illustrated by Dav Pilkey ; color by Jose Garibaldi & Wes Dzioba
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SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
by Andrea Beaty ; illustrated by David Roberts ‧ RELEASE DATE: April 16, 2019
Adventure, humor, and smart, likable characters make for a winning chapter book.
Ada Twist’s incessant stream of questions leads to answers that help solve a neighborhood crisis.
Ada conducts experiments at home to answer questions such as, why does Mom’s coffee smell stronger than Dad’s coffee? Each answer leads to another question, another hypothesis, and another experiment, which is how she goes from collecting data on backyard birds for a citizen-science project to helping Rosie Revere figure out how to get her uncle Ned down from the sky, where his helium-filled “perilous pants” are keeping him afloat. The Questioneers—Rosie the engineer, Iggy Peck the architect, and Ada the scientist—work together, asking questions like scientists. Armed with knowledge (of molecules and air pressure, force and temperature) but more importantly, with curiosity, Ada works out a solution. Ada is a recognizable, three-dimensional girl in this delightfully silly chapter book: tirelessly curious and determined yet easily excited and still learning to express herself. If science concepts aren’t completely clear in this romp, relationships and emotions certainly are. In playful full- and half-page illustrations that break up the text, Ada is black with Afro-textured hair; Rosie and Iggy are white. A closing section on citizen science may inspire readers to get involved in science too; on the other hand, the “Ode to a Gas!” may just puzzle them. Other backmatter topics include the importance of bird study and the threat palm-oil use poses to rainforests.
Adventure, humor, and smart, likable characters make for a winning chapter book. (Fiction. 6-9)Pub Date: April 16, 2019
ISBN: 978-1-4197-3422-9
Page Count: 144
Publisher: Amulet/Abrams
Review Posted Online: Jan. 27, 2019
Kirkus Reviews Issue: Feb. 15, 2019
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by Andrea Beaty ; illustrated by David Roberts
by Andrea Beaty ; illustrated by David Roberts
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