Not a lot of action, but in Bayard’s skilled hands, three complicated people groping toward a new phase in their lives is...
Historical thriller veteran Bayard (Lucky Strikes, 2016, etc.) finds suspense in the three-cornered relationship of Mary Todd, her awkward but compelling suitor, Abraham Lincoln, and his closest companion, debonair Joshua Speed.
About to turn 21 when she arrives in Springfield in 1839, Mary teeters on the brink of old-maidenhood. She’s too sharp-tongued and politically astute for the town’s eligible men—including, she thinks regretfully, handsome merchant Joshua Speed, whom she initially finds more charming than his friend Lincoln, who is as tongue-tied with ladies as he is plainspokenly eloquent at the Illinois statehouse. But Mary becomes intrigued by Lincoln, a rising Whig politician who finds a woman with brains and savvy enticing rather than off-putting. She doesn’t yet realize how destabilizing their budding romance is for Lincoln and Speed. For two years the men have shared a room and a bed, not in itself unusual for 19th-century bachelors, but as Lincoln hungrily learned the ways of polite society from his new friend, a deeper intimacy developed. By the time Mary appears, Lincoln and Speed, each profoundly lonely for his own reasons, share an unusually intense bond apparent to all. Alternating between Mary’s and Joshua’s points of view, Bayard chronicles the bumpy progression of the Lincoln-Todd courtship, its painful blow-up, and Lincoln’s subsequent collapse into crippling depression. There are no villains in this acute and compassionate portrait: When Speed warns Lincoln that Mary “will drain [you] dry,” we can see there’s some truth in this statement but even more truth in Lincoln’s retort, “Is it this girl you object to? Or is it any girl?” The author commendably refrains from imposing 21st-century sexual mores on the Lincoln-Speed relationship, profoundly loving but not physical in Bayard’s depiction. Mary Todd, by contrast, gets a welcome contemporary reappraisal as a woman of spirit and will, not the needy hysteric painted by traditional historians.
Not a lot of action, but in Bayard’s skilled hands, three complicated people groping toward a new phase in their lives is all the plot you need.Pub Date: April 23, 2019
ISBN: 978-1-61620-847-9
Page Count: 400
Publisher: Algonquin
Review Posted Online: Dec. 22, 2018
Kirkus Reviews Issue: Jan. 15, 2019
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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