An elegant, precise, droll novel about a lawyer's startling transformation, by the author of Wartime Lies (1991) and The Man Who Was Late (1993). A recent widower (he and his wife Mary had seemed to exemplify the old New York ideal of elegance and accomplishment), retired at the age of 60 from his law firm, Schmidt, seemingly a poster boy for the now fading world of the cultured, wealthy WASP, is vaguely melancholy, faintly discontented, stranded in his wife's handsome beachfront house in Bridgehampton. His self-involved daughter Charlotte (a devoted member of the public relations department of a tobacco company) announces her intention to marry Jon Riker, a humorless lawyer from Schmidt's firm. Schmidt, who had built a very lucrative legal career on his ability to be ``always demonstrably and impeccably right,'' begins to feel the first stirrings of self- doubt. Does he object to Riker because he seems so one-dimensional, or because he's Jewish? And, with some amazement, he finds himself beginning an affair with a frank, exuberant waitress, a woman younger than his daughter. As Schmidt attempts to navigate increasingly turbulent waters (an outraged daughter, friends amused or appalled by his indiscretion), Begley deftly introduces long hidden pieces of Schmidt's former life. He was, it turns out, a tireless womanizer and a less-than-devoted dad. He's charmingly condescending toward those unlucky enough to be neither WASPS nor wealthy. He is, in fact, a bit of a cad. But it's one of the pleasures of Begley's increasingly dark narrative that he both reveals Schmidt's self-satisfied shortcomings and makes him nonetheless a fascinating character. And, as Schmidt faces a series of alarming problems (including his young lover's peculiar and softly menacing boyfriend), it's hard not to root for his success, for his newly aroused pleasure in life. A sly, sharp portrait of an amoral but appealing figure, and of the declining world of privilege that has shaped him.
Pub Date: Sept. 1, 1996
ISBN: 0-679-45033-5
Page Count: 320
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1996
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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