by Louis Begley ‧ RELEASE DATE: Jan. 29, 2007
Despite a suicide and a near-fatal beating, this is a generally anemic novel from Begley (Shipwreck, 2003, etc.).
The professional success and personal setbacks of a Harvard-educated, Polish-American Jew, as seen by his best friend.
Sam, Archie and Henry arrive at Harvard in the early 1950s; more than half this story describes their comfortable lives there. They are unlikely roommates: Sam and Archie, both Wasps, are intrigued by the exotic Henry, a Jew from Brooklyn with a Polish accent. He arrived in the U.S. with his parents in 1947, after years spent hiding from the Nazis. Though not the most proud Jew, he will acknowledge his Jewish identity, if asked. His brilliant progress at Harvard will be complicated by his pursuit of Margot, the beautiful stranger who had blown kisses at him on his arrival. Narrator Sam has just learned he was adopted at birth and is glad he has no biological links to the “cuckoo couple” who raised him. Curiously, the matter is then dropped. The ensuing lack of attention to Sam’s development throws the novel seriously out of whack (Archie was never more than a bit player). He becomes a successful novelist (just like that!), but stays single. Does he have a sex life? Who knows? The focus stays on Henry, and Henry’s on-again, off-again relationship with Margot, coupled with his attempts to avoid his over-protective, self-dramatizing mother. The story moves sluggishly forward on a tide of social engagements implicitly celebrating money and class. Though he never manages to corral Margot, Henry does very well for himself. As partner in a top New York law firm, he advises a fabulously rich Belgian count, “a bird of prey.” The two fall out over an intricate scheme to protect the Count’s bank, and Henry has a crisis of conscience over betrayal of his Jewish roots. The crisis would have been more convincing had the Count not fired him first.
Despite a suicide and a near-fatal beating, this is a generally anemic novel from Begley (Shipwreck, 2003, etc.).Pub Date: Jan. 29, 2007
ISBN: 0-307-26525-0
Page Count: 320
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2006
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by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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