Despite a suicide and a near-fatal beating, this is a generally anemic novel from Begley (Shipwreck, 2003, etc.).
The professional success and personal setbacks of a Harvard-educated, Polish-American Jew, as seen by his best friend.
Sam, Archie and Henry arrive at Harvard in the early 1950s; more than half this story describes their comfortable lives there. They are unlikely roommates: Sam and Archie, both Wasps, are intrigued by the exotic Henry, a Jew from Brooklyn with a Polish accent. He arrived in the U.S. with his parents in 1947, after years spent hiding from the Nazis. Though not the most proud Jew, he will acknowledge his Jewish identity, if asked. His brilliant progress at Harvard will be complicated by his pursuit of Margot, the beautiful stranger who had blown kisses at him on his arrival. Narrator Sam has just learned he was adopted at birth and is glad he has no biological links to the “cuckoo couple” who raised him. Curiously, the matter is then dropped. The ensuing lack of attention to Sam’s development throws the novel seriously out of whack (Archie was never more than a bit player). He becomes a successful novelist (just like that!), but stays single. Does he have a sex life? Who knows? The focus stays on Henry, and Henry’s on-again, off-again relationship with Margot, coupled with his attempts to avoid his over-protective, self-dramatizing mother. The story moves sluggishly forward on a tide of social engagements implicitly celebrating money and class. Though he never manages to corral Margot, Henry does very well for himself. As partner in a top New York law firm, he advises a fabulously rich Belgian count, “a bird of prey.” The two fall out over an intricate scheme to protect the Count’s bank, and Henry has a crisis of conscience over betrayal of his Jewish roots. The crisis would have been more convincing had the Count not fired him first.
Despite a suicide and a near-fatal beating, this is a generally anemic novel from Begley (Shipwreck, 2003, etc.).Pub Date: Jan. 29, 2007
ISBN: 0-307-26525-0
Page Count: 320
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2006
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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