Mild and nostalgic, a fictionalized expansion of childhood memories that harks back to seemingly safer, simpler times.
Linked short stories evoking a small British village celebrate—and mourn—middle England as it perhaps was in the central decades of the 20th century.
De Bernières (The Dust That Falls From Dreams, 2015, etc.), known mainly for his historical novels, notably Corelli’s Mandolin (1994), grew up in a village in the southeast of England and pays tribute here to the bright memories he holds of the natural world, the quirky folk, and the unique trades and dialects of that time and place. The stories, written over almost a decade, are good-humored and indulgent, as apparently is the fictional village of Notwithstanding, where class rules are observed and eccentricity is accepted. “The Girt Pike,” a standout tale that captures the essence of the book, describes stouthearted 11-year-old Robert, who catches a near-mythical fish, thereby shaping his own character and future. In “All My Everlasting Love,” another boy, Peter, in the urgent throes of puberty, fails to connect with his girlfriend but while waiting contemplates “the England that the English used to love, when England was still loved by the English.” Pets feature large in other tales—a cat whose death disrupts a dinner party in “Colonel Barkwell, Troodos and the Fish”; a dog whose peculiar fate brings on a burst of hysteria in “Mrs Griffiths’ Part-Time Job.” Elsewhere there are majors and baronets, a hedging-and-ditching man, a spy, a smelly peasant, repeated mentions of treasured, long-disappeared British cars, and tributes to bits of peerless British equipment, like the Intrepid Prince Regent fishing reel Robert is given for catching the pike. This community of sorts also includes ghosts, like the dead family in “This Beautiful House,” all part of the fond, backward-looking insubstantiality of the book’s world.
Mild and nostalgic, a fictionalized expansion of childhood memories that harks back to seemingly safer, simpler times.Pub Date: Oct. 18, 2016
ISBN: 978-1-101-96987-8
Page Count: 384
Publisher: Vintage
Review Posted Online: Aug. 2, 2016
Kirkus Reviews Issue: Aug. 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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