Lost treasures indeed. A second volume is promised as well as other unpublished work to fill the shelves of eager L’Amour...
A behind-the-scenes look at the unpublished work and unrealized aspirations of an iconic writer of Westerns.
“Far overhead a bird soared. Twice he looked at it, brow puckered.” Louis L’Amour (1908–88), ne LaMoore, wrote millions of words, almost always in simple declarative sentences. Vying only with Zane Grey, he dominated the Western genre; if without the flair of Elmore Leonard, his work was miles above the penny dreadfuls that had preceded him. It will surprise readers who know only his Western writing to learn from this overstuffed volume that L’Amour was interested in other genres, more than dabbling but often not quite committing to them; he tried his hand at the intersection of Westerns and horror but also played with science fiction, historical fiction, even variants of romance and literary fiction, examples of all of which abound in this gathering of provisional work. Often he achieved nicely atmospheric effects that wouldn’t be out of place in Hemingway (“The wind moaned and blew a few leaves across the campsite. Where they had been there was nothing but darkness and the cold”), and just as often he took formulas and breathed fresh life into them. Beau L’Amour, his son and editor, allows that his father was “trapped by his own success” in the Western genre—and by the need to support a family on writing alone, churning out books, magazine pieces, television scripts, and more. But on top of all that work, L’Amour constantly experimented, as this volume shows, making notes for and drafts of adventure, crime, sci-fi, and other kinds of fiction, even an odd exercise in speculative work that spoke to his interest in reincarnation and “the transmutation of souls.” While his son is quick to admit that Pop’s work wasn’t always, well, good, it’s refreshing to know that no matter how successful, L’Amour, his office piled high with books, was always looking to stretch.
Lost treasures indeed. A second volume is promised as well as other unpublished work to fill the shelves of eager L’Amour buffs.Pub Date: Oct. 24, 2017
ISBN: 978-0-399-17754-5
Page Count: 544
Publisher: Bantam
Review Posted Online: Oct. 16, 2017
Kirkus Reviews Issue: Nov. 1, 2017
BOOK REVIEW
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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