The late, great, vastly prolific L'Amour (Jubal Sackett, 1985, etc.) rides again, with a recently discovered never-before-seen novella and sheaf of stories. Most of the tales feature Homeric diction and wonderful hooks. ``Caprock Rancher'' begins: ``When I rode up to the buffalo wallow, Pa was lying there with his leg broke and his horse gone.'' ``Desperate Men'' opens with: ``They were four desperate men, made hard by life, cruel by nature, and driven to desperation by imprisonment. Yet the walls of Yuma Prison were strong and the rifle skill of the guards unquestioned, so the prison held many desperate men besides these four. And when prison walls and rifles failed, there was the desert, and the desert never failed.'' That's a big, gritty voice at work, lifting melodrama to the heavens of storytelling. And, for the most part, these stories cleave to that voice throughout. ``Caprock Rancher'' tells of a 17-year-old who must rescue $20,000 from three toughs who have found it, although it belongs to several poor ranchers back home who've trusted the boy and his father to take their cattle to market. ``Desperate Men'' follows four prisoners who escape from Yuma Prison during an earthquake and flee into the desert with an Army payroll. Their greed is as much against them as the sun. In the title tale, a young man who heads a cattle drive finds wooing a beautiful woman to be more fraught with difficulty (and danger) than life on the trail. And in the superbly burnished novella, ``Rustler Roundup,'' the Laird Valley cattle war pits some smart rustlers, who want to grab Finn Mahone's herd and acres, against an even smarter hero. As ever, L'Amour's characters distinguish themselves from run-of-the- mill westerners by the hard thud of their boots on soil and the worn leather ease of their dialogue. Awesome immediacy, biting as creosote slapped on a fencepost.
Pub Date: June 1, 1997
ISBN: 0-553-10648-1
Page Count: 256
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1997
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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