A moving and well-written saga of an earlier time in America.
Trubiano’s historical novel tells the story of the Italian immigrants who fought for survival and acceptance in Boston’s North End in the first half of the 20th century.
Domenic Bassini is 16 years old when he sets sail for America from his hardscrabble little village to make a better life for himself and perhaps improve the family fortunes. A shy, quiet kid, he nonetheless meets people on the voyage who will remain in his life (for good or ill), including Cologero Dragotto and his beautiful and shrewd young bride, Francesca, who seduces Domenic even before they land in Boston, and the spunky 10-year-old stowaway, Ermino Lentini. Once in Boston, Domenic, a stoic, steady worker, gets a job and keeps his head down. Domenic becomes Ermino’s protector by default, but the kid is a handful and drifts away, finally going full-bore into a successful life of crime. Early on, Ermino and Domenic have a run-in with young Colin O’Riley, the son of Brendan O’Riley—a very powerful police officer in the BPD; a generation-long enmity between the Bassinis and the O’Rileys will soon develop. Colin becomes a dirty and dangerous cop and the nemesis of Domenic’s son, Dommy, who’s a war hero, a scrupulously honest cop, and a beacon for the future. (As his wife, Martha, later says ruefully, “Dommy didn’t want to just be a cop. He wanted to be a saint.”) The narrative runs from 1914 to the 1950s and through three generations of triumphs and tragedies; the city of Boston is as much a character as the human characters. The author effectively illustrates the ways in which struggles for power in the city often resembled a fight between scorpions trapped in a bottle. The story covers the Brahmins, who lost Boston but controlled the State House; the Irish, who took over the BPD; the Italian Mafia and lesser gangs; and the often hilariously corrupt politicians. In the course of the tale, readers encounter the famous police strike of 1919, the Great Molasses Flood of that same year, the Spanish flu, and several cameo references (including Joseph Kennedy, Sacco and Vanzetti, and James Michael Curley).
A moving and well-written saga of an earlier time in America.Pub Date: June 1, 2024
ISBN: 978-1-963844-04-7
Page Count: -
Publisher: N/A
Review Posted Online: March 31, 2024
Review Program: Kirkus Indie
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
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